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Listener © Kevin Scullion
Music, PremieresOctober 10, 2017<October 10, 2017

Premiere: Listener Marry Poetry and Post-Hardcore with “Shock and Value”

by James Crowley
Agnes - Glass Animals
Features, Music, ReviewsOctober 9, 2017<December 15, 2020

The Fragile, Overwhelming Power of Glass Animals’ “Agnes”

by Mitch Mosk
The Fluids © Jordan Kuyper
Music, PremieresOctober 9, 2017<October 9, 2017

Premiere: The Fluids’ Timeless Rock and Emotion in “Just Like Me”

by Nicole Almeida
Pain / Ache / Loving - Hunny
Columns, Music, Music You Should KnowOctober 9, 2017<October 9, 2017

Music You Should Know: Two Years Later, ‘Pain / Ache / Loving’ is Still HUNNY’s Best

by Sydney Sweeney
INHEAVEN © 2017
Music, Our Take, ReviewsOctober 5, 2017<October 5, 2017

Our Take: INHEAVEN’s Timely Album is Just What a Debut Should Be

by Lindsay Call
Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”
Music, PremieresOctober 5, 2017<October 9, 2017

Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”

by Nicole Almeida
FEATURE: Oshin Dives Deep into Purposeful Experimental Pop
Features, Interviews, MusicOctober 2, 2017<October 2, 2017

FEATURE: Oshin Dives Deep into Purposeful Experimental Pop

by Sydney Sweeney
Music, Reviews, This Just InSeptember 29, 2017<September 29, 2017

The World Is A Beautiful Place & I Am No Longer Afraid To Die Recall the Past and Call for Action in the Future on ‘Always Foreign’

by James Crowley
Music, Our Take, ReviewsSeptember 28, 2017<September 28, 2017

Our Take: Vince Staples Avoids the Sophomore Slump with the Stunning ‘Big Fish Theory’

by Josh Weiner
Interviews, MusicSeptember 28, 2017<September 28, 2017

Dodging Stereotypes and American Dreaming: A Conversation with Canshaker Pi

by Alexandra Graber
Music, Music You Should KnowSeptember 27, 2017<March 10, 2021

Messages Without eXception: Introducing Allie X

by Kelly Wynne
Music, Today's SongSeptember 27, 2017<September 27, 2017

Today’s Song: NAO’s “Nostalgia” is a Long-Awaited Comeback

by Sydney Sweeney
Interviews, Music, PremieresSeptember 27, 2017<September 27, 2017

Premiere: Bruiser Queen Is Feeling “Sugar High” On Life

by Baylee Less
Music, Today's SongSeptember 25, 2017<September 25, 2017

Today’s Song: Challenging Concepts of Love, Ambiguity and Gender Performance On Duckwrth’s “Boy”

by Brandon Payano
Music, Today's SongSeptember 22, 2017<September 22, 2017

Today’s Song: Sink into the “WATR” with REGN

by Alex Killian
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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© Atwood Magazine 2024 For the Love of Music
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