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Debut, Interviews, MusicSeptember 22, 2017<November 27, 2017

New Beginnings and Falling into Pieces: A Conversation with Cape Francis

by Kelly Wynne
Music, Music Videos, PremieresSeptember 21, 2017<September 22, 2017

Premiere: Todd Kessler Brings All of Autumn’s Melancholy on “The Letter”

by James Crowley
Features, Interviews, MusicSeptember 21, 2017<September 25, 2017

All Things Must Pass: A Conversation with Dan Croll

by Maggie McHale
Columns, Music, Music Videos, ViewfinderSeptember 21, 2017<May 16, 2023

Viewfinder: Revolution and Witches – Imagining Alternate Worlds through Stop Motion Animation

by Carmen Chan
Music, Music You Should KnowSeptember 20, 2017<September 20, 2017

Music You Should Know: Easing Out of Summer with Twin Peaks

by Olivia Perry
Music, Our Take, ReviewsSeptember 20, 2017<September 21, 2017

Our Take: You Don’t Know Jorja Smith Until You Know ‘Project 11’

by Sydney Sweeney
Interviews, MusicSeptember 19, 2017<September 19, 2017

Unconscious Stream-of-Consciousness: A Conversation with Lina Tullgren

by James Crowley
The National © Graham MacIndoe
Features, Music, ReviewsSeptember 19, 2017<January 3, 2018

On Vulnerability and Musical Warmth: Introducing The National’s ‘Sleep Well Beast’

by Atwood Magazine Staff
flatsound © 2015
Music, Music You Should Know, ReviewsSeptember 19, 2017<September 19, 2017

Music You Should Know: On Music & Mental Health in flatsound’s Latest Album

by Urooj Ali Rizvi
Music, Today's SongSeptember 19, 2017<September 19, 2017

Today’s Song: Daz Rinko Talks About That “Black Boy Joy”

by Baylee Less
Sløtface © Victoria Stevens
Debut, Features, Interviews, Music, ReviewsSeptember 18, 2017<September 18, 2017

On Teen Sleuths, Breakups with Body Image, & Freaking Out: A Conversation with Sløtface

by Lindsay Call
QTY © Danny North
Columns, Features, Music, This Just In, Today's SongSeptember 18, 2017<October 5, 2017

This Just In: The Confessional Brilliance of QTY’s “Michael”

by Nicole Almeida
Agnes, No Surprises viewfinder
Columns, Music, Music Videos, ViewfinderSeptember 15, 2017<October 13, 2017

Viewfinder: “Agnes” & “No Surprises” Symbolize Emotional Pain Through Physical Agony

by Carmen Chan
Features, Music, Music Videos, PremieresSeptember 15, 2017<October 10, 2017

Video Premiere: The Natural Warmth & Beauty of Ásgeir’s “I Know You Know”

by Mitch Mosk
Music, Today's SongSeptember 14, 2017<September 14, 2017

Today’s Song: Moses Sumney’s Insular and Intimate “Indulge Me”

by Mariel Fechik
Posts pagination
1 … 631 632 633 634 635 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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