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Until We Both Get Bored - Zander Hawley
Debut, Features, Interviews, Music, ReviewsMay 11, 2017<May 11, 2017

Review: Zander Hawley Captures the Pain, Intimacy & Beauty of Heartbreak

by Mitch Mosk
The Junction © Justin Broadbent
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Junction Take Control of Life on “Changes”

by Mitch Mosk
JOME © 2017
Columns, Debut, Music, Today's SongMay 11, 2017<May 11, 2017

Today’s Song: JOME’s “Snow” is a Stinging Reminder of the Nature of Love

by Urooj Ali Rizvi
Vienna Teng - Waking Hour
Columns, Music, Time MachineMay 11, 2017<May 10, 2017

Time Machine: Vienna Teng’s “Eric’s Song” for All

by Erika Kooda
Big Little Lies © HBO
Columns, Music, Sound TracksMay 10, 2017<May 10, 2017

Film Notes: Leon Bridges’ “River” in HBO’s ‘Big Little Lies’

by Kelly McCafferty Dorogy
get over it - tinmouth still
Music, Music Videos, PremieresMay 10, 2017<May 11, 2017

Premiere: The Social Critique of Tinmouth’s Biting “Get Over It”

by Mitch Mosk
Doghouse Charlie © 2017
Music, PremieresMay 10, 2017<May 10, 2017

Premiere: Doghouse Charlie’s “Susquehanna,” a Psychedelic Symphony to Nature

by Mitch Mosk
SYML © Adrian Ragasa
Features, Music, PremieresMay 10, 2017<May 10, 2017

Premiere: SYML’s Haunting Cover of “Mr Sandman” Gives New Life to an Old Classic

by Mitch Mosk
Maps & His Mothball Fleet © Rovi
Music, Music Videos, PremieresMay 9, 2017<May 9, 2017

Video Premiere: Hope and Distance on Maps & His Mothball Fleet’s “A Lot Becomes a Little”

by Mitch Mosk
Rival Shapes © 2017
Music, PremieresMay 9, 2017<May 9, 2017

Premiere: Rival Shapes’ “The Longing” Burns with Love & Poignant Nostalgia

by Mitch Mosk
Carry Illinois © 2017
Music, PremieresMay 8, 2017<November 29, 2017

Premiere: The Resilient Energy of Carry Illinois’ Somber “Little Shell”

by Mitch Mosk
saw tooth wave © 2017
Debut, Music, PremieresMay 8, 2017<May 8, 2017

Premiere: Saw Tooth Wave’s Driving Synth-Rock Debut “My New Bicycle”

by Mitch Mosk
The Japanese House © Danny North
Columns, Music, Reviews, Today's SongMay 8, 2017<July 5, 2017

Longing, Loss, and Hope in The Japanese House’s “Saw You in a Dream”

by Nicole Almeida
James Arthur © 2017
Features, Interviews, Music, ReviewsMay 8, 2017<December 15, 2020

Recovery, Redemption, and Finding Purpose: A Conversation with James Arthur

by Mitch Mosk
San Cisco © Ebony Talijancich
Music, Our Take, ReviewsMay 8, 2017<May 8, 2017

Our Take: San Cisco Make a Splash with ‘The Water’

by Natalie Harmsen
Posts pagination
1 … 655 656 657 658 659 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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