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Savage Grace EP - Grace Savage
Music, PremieresJuly 3, 2017<July 3, 2017

Premiere: Grace Savage Attacks Bigotry on Anthemic “King of the Jungle”

by Mitch Mosk
LCD Soundsystem © LCD Soundsystem
Concert Conversations, Music, ReviewsJune 30, 2017<June 30, 2017

Live: LCD Soundsystem Are the Perfect Band to Play New York Any Day of the Week

by James Crowley
Shells © Shells
Music, PremieresJune 30, 2017<June 30, 2017

Premiere: Shells Learn from Heartache on “New Bones”

by Nicole Almeida
Atwood Magazine's 2017 Albums of the Year, Part 1
Features, Music, News, ReviewsJune 30, 2017<August 3, 2017

Atwood Magazine’s Best Albums of 2017… Part 1

by Atwood Magazine Staff
Mise en Scene © Jesse DeFlorio
Features, Interviews, MusicJune 30, 2017<July 3, 2017

Alive and On Fire: A Conversation with Mise en Scene

by Lindsay Call
LANY © Catie Laffoon
Music, Reviews, This Just InJune 30, 2017<July 1, 2017

This Just In: LANY is So, Soo Pretty in Self-Titled Debut Album

by Maggie McHale
Zander Hawley - Until We Both Get Bored
Debut, Music, Music Videos, PremieresJune 30, 2017<June 30, 2017

Video Premiere: Zander Hawley’s Heartbreaking & Real “Until We Both Get Bored”

by Kelly McCafferty Dorogy
"Always Been U" - PHANGS & R.LUM.R
Music, Music Videos, PremieresJune 30, 2017<June 30, 2017

Video Premiere: PHANGS Seeks Elusive Lust in “Always Been U”

by Maggie McHale
Lights Out - Lindsay White
Music, Music Videos, PremieresJune 29, 2017<June 29, 2017

Premiere: Love & Sisterhood Shine on Lindsay White’s “Surrogate”

by Mitch Mosk
Nick Delffs © Ingrid Renan
Music, PremieresJune 29, 2017<June 29, 2017

Premiere: The Calm Chaos of Nick Delffs’ “Running Moon”

by Mitch Mosk
DD Allen © 2016
Music, PremieresJune 29, 2017<June 29, 2017

Premiere: The Classic Rock Warmth of DD Allen’s “Rebecca’s Curse”

by Mitch Mosk
Hurry Up, We're Dreaming - M83
Columns, Music, Nostalgia TracksJune 29, 2017<April 16, 2020

Nostalgia Tracks: On M83’s “Midnight City” as a Generational Indie Memento

by Sydney Sweeney
Sasha & The Bear © 2017
Music, PremieresJune 29, 2017<June 29, 2017

Premiere: Sasha & The Bear’s Feverish “Out of My Mind”

by Mariel Fechik
NRVS LVRS © Peter Prato
Music, Premieres, ReviewsJune 29, 2017<July 19, 2017

Album Premiere: The Visceral Darkness of NRVS LVRS’ ‘Electric Dread’

by Mitch Mosk
Charlie Hickey © Caitlan Hickey
Music, PremieresJune 28, 2017<June 28, 2017

Premiere: Charlie Hickey Explores Insecurity and Authenticity on “This Was Not Meant for You to See”

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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