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Ben Abraham © WILK
Features, Interviews, MusicMarch 23, 2017<March 23, 2017

Transforming Experience into Sound: A Conversation with Ben Abraham

by Hannah Maire
Out of the Game - Rufus Wainwright
Columns, Music, Time MachineMarch 23, 2017<March 23, 2017

Time Machine: Feeling “Out of the Game” with Rufus Wainwright

by Erika Kooda
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 23, 2017<March 24, 2017

Atwood @ SXSW Day 6 ft. Active Bird Community, Aquilo, Big Jesus, The National Parks, and Lawrence

by Erika Kooda
Radclyffe Hall © 2017
Music, PremieresMarch 22, 2017<March 22, 2017

Premiere: Escape into Radclyffe Hall’s Seductive “Run Run Run”

by Mitch Mosk
Axel Mansoor © 2017
Features, Interviews, MusicMarch 22, 2017<March 22, 2017

No Time Wasted: A Conversation with Axel Mansoor

by Kelly Wynne
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 22, 2017<March 22, 2017

Atwood @ SXSW: Day 5 ft. Lizzo, Chicano Batman, Spoon, Big Phony, Magnolia, and Sara Watkins

by Erika Kooda
Call Me - Imelda May
Columns, Music, Today's SongMarch 21, 2017<March 21, 2017

Today’s Song: Imelda May’s “Call Me” and Heartache’s Heavy Wait

by Mitch Mosk
Faze Wave © 2017
Music, PremieresMarch 21, 2017<March 21, 2017

Premiere: Faze Wave Catch a Spark on “Chemistry”

by Mitch Mosk
Features, Interviews, MusicMarch 21, 2017<March 22, 2017

Here for a Good Time: A Conversation with Knox Hamilton

by Maggie McHale
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 21, 2017<March 22, 2017

Atwood @ SXSW: Day 4 ft. The New Pornographers, Danny Malone, and Quinn XCII

by Erika Kooda
Matt Hires © Jesse Spencer
Features, Music, Music Videos, PremieresMarch 20, 2017<March 20, 2017

Video Premiere: Matt Hires’ “Don’t Let Your Heart Grow Cold,” a Passionate Ode to the Past

by Mitch Mosk
NØMADS © Kiki Conway
Music, PremieresMarch 20, 2017<April 5, 2017

Premiere: Brooklyn’s NØMADS Elevate Our Fear on “Acrophobia”

by Mitch Mosk
The War on Peace © Chris Hershman
Music, PremieresMarch 20, 2017<April 1, 2017

Premiere: The War on Peace Face Broken Dreams and Suffering on “Fear of Loss”

by Mitch Mosk
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 20, 2017<March 22, 2017

Atwood @ SXSW: Day 3 ft. The Shelters, Hippo Campus, Bleached, and PWR BTTM

by Erika Kooda
New Politics © Max Schwartz
Features, Music, Reviews, This Just InMarch 17, 2017<May 15, 2017

Review: New Politics’ “One of Us” is the Inclusive Anthem 2017 Needs

by Mitch Mosk
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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