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Amira B © 2017
Debut, Music, PremieresMay 16, 2017<May 16, 2017

Premiere: Amira B Finds Her Voice on “I Am Defined”

by Mitch Mosk
Columns, Music, Today's SongMay 16, 2017<May 16, 2017

Today’s Song: Loud, (Almost) Live & Loving It – Estrons’ “Strobe Lights”

by Lindsay Call
Ward White © Heidi Adams
Music, PremieresMay 15, 2017<May 15, 2017

Premiere: The Poignant Identity Struggle of Ward White’s Majestic “Spurs”

by Mitch Mosk
Cherée © Bolade Banjo
Debut, Interviews, MusicMay 15, 2017<May 16, 2017

A Star on the Rise: A Conversation with Cherée

by Nicole Almeida
The Planters © 2017
Debut, Music, PremieresMay 15, 2017<May 15, 2017

Premiere: The Urgency & Passion of The Planters’ “There’s No Time”

by Mitch Mosk
Smith & Thell © 2016
Debut, Features, Interviews, Music, Our Take, ReviewsMay 12, 2017<May 12, 2017

Feature: The Energy and Emotion of Smith & Thell’s Debut ‘Soulprints’

by Mitch Mosk
Vevo dscvr: live (Dagny, Phoebe Ryan, The Big Moon)
Concerts, Music, ReviewsMay 12, 2017<February 16, 2023

Live: Vevo’s dscvr with The Big Moon, Dagny & Phoebe Ryan at Knitting Factory Brooklyn

by Kevin Young
Jo Marches © Gees Voorhees
Music, Music Videos, PremieresMay 12, 2017<May 12, 2017

Premiere: Enter the Moody, Psychedelic World of Jo Marches with “Silver & Gold”

by Sydney Sweeney
Oli Hannaford - "Locker"
Music, Music Videos, PremieresMay 12, 2017<May 12, 2017

Premiere: Oli Hannaford Goes Deeper in “Locker” Live Session

by Maggie McHale
The Band Camino © 2017
Music, Reviews, This Just InMay 12, 2017<May 12, 2017

This Just In: The Band CAMINO’s “My Thoughts on You” is Dreamy, Forlorn Pop at its Best

by Sydney Sweeney
Gold into Dust - Nadia Kazmi album art
Features, Music, PremieresMay 11, 2017<March 2, 2025

Album Premiere: Nadia Kazmi’s ‘Gold Into Dust’ Embraces Raw Reflection and New Dreams

by Mitch Mosk
Tomten © Brady Harvey
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Ill-Fated Love of Tomten’s “Limbo’s Daughter”

by Mitch Mosk
King Cardinal © Scott McCormick
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: King Cardinal Embrace the Moment on Warm “Seventeen”

by Mitch Mosk
Until We Both Get Bored - Zander Hawley
Debut, Features, Interviews, Music, ReviewsMay 11, 2017<May 11, 2017

Review: Zander Hawley Captures the Pain, Intimacy & Beauty of Heartbreak

by Mitch Mosk
The Junction © Justin Broadbent
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Junction Take Control of Life on “Changes”

by Mitch Mosk
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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