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The War on Peace © Chris Hershman
Music, PremieresMarch 20, 2017<April 1, 2017

Premiere: The War on Peace Face Broken Dreams and Suffering on “Fear of Loss”

by Mitch Mosk
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 20, 2017<March 22, 2017

Atwood @ SXSW: Day 3 ft. The Shelters, Hippo Campus, Bleached, and PWR BTTM

by Erika Kooda
New Politics © Max Schwartz
Features, Music, Reviews, This Just InMarch 17, 2017<May 15, 2017

Review: New Politics’ “One of Us” is the Inclusive Anthem 2017 Needs

by Mitch Mosk
Robes © 2017
Debut, Music, PremieresMarch 17, 2017<March 17, 2017

Album Premiere: ROBES’ ‘Indecline’ Ascends with Heavy Hits & Insights

by Mitch Mosk
"Shape of You" - Jamie Cullum
Columns, Covers, Music, Today's SongMarch 17, 2017<March 17, 2017

Today’s Song: Jamie Cullum Breathes New Life into Ed Sheeran’s “Shape of You”

by Carmen Chan
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 16, 2017<March 22, 2017

Atwood @ SXSW: Day 2 ft. Split Single, Communist Daughter, and Hurray for the Riff Raff

by Erika Kooda
Departures, Vol. 1 – North Atlantic Drift
Music, PremieresMarch 16, 2017<March 16, 2017

Album Premiere: Float Away on North Atlantic Drift’s ‘Departures Vol. 1’

by Mitch Mosk
Piano Man - Billy Joel
Music, Time MachineMarch 16, 2017<March 16, 2017

Time Machine: On Billy Joel’s “Piano Man” and Lost Dreams

by Erika Kooda
"Breathe" - Astrid S
Columns, Music, Today's SongMarch 16, 2017<March 16, 2017

Today’s Song: Astrid S Loses Oxygen in “Breathe,” an Airy Love Anthem

by Kevin Young
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 15, 2017<March 22, 2017

Atwood @ SXSW: Day 1 ft. Har Mar Superstar, Unwed Fathers and City Under Siege

by Erika Kooda
The Vryll Society © Sophia Duff
Interviews, MusicMarch 15, 2017<March 15, 2017

Finding the Perfect Rhythm: A Conversation with The Vryll Society

by Lindsay Call
By Your Side - The 1975
Columns, Music, Today's SongMarch 15, 2017<March 15, 2017

Today’s Song: “By Your Side” Marks a Gentle Return for The 1975

by Sydney Sweeney
CASPR © 2017
Debut, Features, Music, PremieresMarch 14, 2017<March 21, 2017

Premiere: CASPR is “Crazy” in Love on Haunting Debut

by Mitch Mosk
Br'er © Lindsay Hogan
Music, PremieresMarch 13, 2017<March 13, 2017

Premiere: Br’er’s “Help Me Live” Commits to Life in the Face of Death

by Mitch Mosk
Aquilo © Morgan Hill Murphy
Features, Interviews, MusicMarch 13, 2017<March 13, 2017

Silhouettes and Sad Songs: A Conversation with Aquilo

by Mitch Mosk
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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