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Curse League © 2016
Music, Our Take, ReviewsJanuary 6, 2017<January 6, 2017

Our Take: Curse League Plus You Equals Us

by Connor Bush
Glass Tactics © Sonny Shaikh
Features, Music, PremieresJanuary 5, 2017<January 5, 2017

Exclusive Premiere: Hope and Hunger on Glass Tactics’ “Pavement”

by Mitch Mosk
Atwood Magazine's 2016 Albums of the Year
Features, Music, News, ReviewsJanuary 4, 2017<January 4, 2017

Atwood Magazine’s 2016 Albums of the Year

by Atwood Magazine Staff
Joseph © Ebru Yildiz
Columns, Music, Today's SongDecember 30, 2016<December 30, 2016

Today’s Song: Joseph Cry “SOS (Overboard)” Through an Emotional Storm

by Erika Kooda
Crying © Adam Kolodny
Columns, Music, Today's SongDecember 29, 2016<December 29, 2016

Today’s Song: Crying Melt the Closet on “There Was a Door”

by Connor Bush
Keiandra © Kiki 2016
Features, Interviews, MusicDecember 28, 2016<December 28, 2016

The Spaces Between: An Interview with Keiandra

by Lindsay Call
Mansionair © Charlie Hardy
Columns, Music, Today's SongDecember 28, 2016<December 28, 2016

Today’s Song: Mansionair’s “Easier” is an Echo of Hope for the Static

by Nicholas Anderson
The Visions © Jonathan Shugarman
Features, Music, PremieresDecember 27, 2016<December 27, 2016

Exclusive Premiere: The Hypnotic Waves and Sultry Thirst of The Visions’ “Oceans”

by Mitch Mosk
"Sparrows" - New Mystics
Columns, Debut, Music, Today's SongDecember 27, 2016<December 27, 2016

Today’s Song: New Mystics Sings for Freedom in Debut “Sparrows”

by Mitch Mosk
Spending All My Christmas with You - Tom Odell
Columns, Music, Today's SongDecember 26, 2016<December 26, 2016

Today’s Song: Tom Odell’s Cliché-Free “Spending All My Christmas with You”

by Christine Costello
Features, Music, PremieresDecember 22, 2016<December 22, 2016

Exclusive Premiere: Cult Class are Raw and Redolent on Self-Titled Debut

by Maggie McHale
Washington © 2016
Columns, Music, Today's SongDecember 22, 2016<December 20, 2016

Today’s Song: The Fight for Freedom in Washington’s “Saint Lo”

by Hannah Maire
Makeunder's Hamilton Ulmer © 2016
Music, PremieresDecember 21, 2016<December 21, 2016

Exclusive Premiere: Makeunder’s “Inevitable Conclusion” Gets an Akiyoshi Ehara Makeover

by Mitch Mosk
The Soonest © Olivia Lee
Features, Music, Premieres, VideoDecember 21, 2016<December 21, 2016

Exclusive Premiere: The Soonest’s Raw Reflection “My Thoughts Are Brave. My Words Are Slow.”

by Mitch Mosk
Vök © Eygló Gísla
Columns, Music, Today's SongDecember 21, 2016<April 27, 2017

Today’s Song: Lost in the Icy Beauty of Vök’s “Show Me”

by Erin Brown
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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