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iLLECTIVE © 2016
Features, Interviews, MusicDecember 20, 2016<December 20, 2016

No Genres, Just Vibes: A Conversation with iLLECTIVE

by Maggie McHale
Joyce Manor © 2016
Columns, Music, Today's SongDecember 20, 2016<December 20, 2016

Today’s Song: Joyce Manor’s Depressing Epiphany “Reversing Machine”

by James Crowley
QTY © Danny North
Features, Interviews, MusicDecember 19, 2016<December 19, 2016

Honesty, Hive Mind, and the Human Element: A Conversation with QTY

by Nicole Almeida
Emmit Fenn © 2016
Columns, Music, Today's SongDecember 19, 2016<December 19, 2016

Today’s Song: Emmit Fenn Suffers and Heals on “Blinded”

by Urooj Ali Rizvi
Sleeptalk "Indio, California" still
Features, Music, Music Videos, PremieresDecember 16, 2016<December 16, 2016

Exclusive Premiere: Sleeptalk’s Smile-Inducing “Indio, California”

by Mitch Mosk
K.Flay © Lauren Dukoff
Features, Interviews, MusicDecember 16, 2016<December 16, 2016

Crushing the Genre: A Conversation with K.Flay

by Kelly Wynne
Aztec Sun perform "No Time for Love"
Atwood x LiveSyphon, Columns, Music, VideoDecember 16, 2016<December 16, 2016

Atwood Magazine and LiveSyphon Present: AZTEC SUN’s Freedom Funk

by Connor Bush
Luxxury © Eli Green
Music, PremieresDecember 16, 2016<December 16, 2016

Exclusive Premiere: Take a Trip with Luxxury and “Breathe (Again).”

by Alex Killian
Angel Olsen © 2016
Columns, Music, Today's SongDecember 16, 2016<December 19, 2016

Today’s Song: Angel Olsen’s “Sister” Epitomizes the Passionate Realizations of Human Desire

by K
Chris Kaz © Dieter Brandenburg
Features, Music, Music Videos, PremieresDecember 15, 2016<December 15, 2016

Exclusive Premiere: The Sultry, Dark Charm of Chris Kaz’s “Track 02”

by Mitch Mosk
Hugh (Izzy Brooks and Josh Idehen) © 2016
Interviews, MusicDecember 15, 2016<December 15, 2016

Light in the Madness: Meet Hugh

by Maggie McHale
Sevdaliza © Zahra Reijs
Columns, Music, Music Videos, Today's SongDecember 15, 2016<December 15, 2016

Today’s Song: Sevdaliza Hypnotizes Us with the Otherworldly “Human”

by Regan Wojick
Bastille interview © 2016
Features, Interviews, MusicDecember 14, 2016<January 6, 2017

This Overwhelming, Cinematic, Fragile, Wild World: A Conversation with Bastille

by Mitch Mosk
Mark Johns © David Murphy
Columns, Music, Today's SongDecember 14, 2016<December 14, 2016

Today’s Song: Finding Hope in Conflict with Mark Johns’ “Wait Till Tmrw”

by Alex Killian
"Zen Squid" - Uni Ika Ai still
Features, Music, Music Videos, PremieresDecember 13, 2016<December 13, 2016

Exclusive Premiere: The Meditative Darkness of Uni Ika Ai’s “Zen Squid”

by Mitch Mosk
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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