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Watching for Foxes
Features, Music, Premieres, VideoOctober 20, 2016<October 20, 2016

Exclusive Premiere: Watching for Foxes’ Fresh Start and Raw Wounds on “Prelude”

by Mitch Mosk
One Way Ticket - Midnight to Monaco
Features, Music, PremieresOctober 20, 2016<October 20, 2016

Exclusive Premiere: Recycle Jordan Dancifies Midnight to Monaco’s Nu-Wop Hit “One Way Ticket”

by Mitch Mosk
Handgrenades © Doug Coombe
Features, Music, PremieresOctober 20, 2016<October 20, 2016

Exclusive Premiere: Handgrenades Play with Perception in “The Watcher”

by Nicole Almeida
Big Scary
Columns, Music, Today's SongOctober 20, 2016<October 20, 2016

Today’s Song: Finding Calm within the Storm in Big Scary’s “The Opposite of Us”

by Hannah Maire
JonoJosh
Features, Music, PremieresOctober 19, 2016<October 26, 2016

Exclusive Premiere: JonoJosh Rides the Sonic Zeitgeist on Formative Debut ‘Outside’ EP

by Mitch Mosk
LUCA LUSH
Columns, Music, Today's SongOctober 19, 2016<October 19, 2016

Today’s Song: Seamless Cut & Sew Production on LUCA LUSH’s “Anything 4 U”

by Alex Killian
Oli Hannaford
Music, Our Take, ReviewsOctober 18, 2016<October 18, 2016

Our Take: Oli Hannaford Explores Life and Love Through ‘Free Things’

by Maggie McHale
Mulherin © 2016
Columns, Music, Today's SongOctober 18, 2016<October 18, 2016

Today’s Song: A Story of Mistrust with Mulherin’s “Leagues”

by Ethan Germann
Ben Hobbs © Caitlin Mogridge
Features, Music, PremieresOctober 18, 2016<October 26, 2016

Exclusive Premiere: Ben Hobbs’ “Take The Blame” Is a Vulnerable, Ominous Anthem

by Mitch Mosk
Driftwood © Danielle Geristen
Features, Music, PremieresOctober 17, 2016<October 17, 2016

Exclusive Premiere: Driftwood’s “Too Afraid” Explores Attraction’s Pleasure and Pain

by Mitch Mosk
and the Anonymous Nobody... De La Soul 8.4
Music, Our Take, ReviewsOctober 17, 2016<September 5, 2023

Our Take: De La Soul… Still Going Strong After 27 Years

by Josh Weiner
Foxygen © 2016
Columns, Features, Music, Reviews, Today's SongOctober 17, 2016<October 7, 2022

Foxygen’s “America” or: How I Learned to Accept Bowie’s Death and Keep Loving Indie Rock

by Ross Finney
Bob Dylan
Essays, MusicOctober 15, 2016<September 30, 2025

Editorial: Why Bob Dylan’s Music Is Literature

by Jon Hecht
Oh Wonder © 2016
Atwood On Tour, Columns, Features, Interviews, MusicOctober 14, 2016<December 9, 2016

Humble, Honest, and Human: Catching Up with Oh Wonder

by Mitch Mosk
DD Allen © 2016
Debut, Features, Music, PremieresOctober 14, 2016<October 14, 2016

Exclusive Premiere: “Just Like The Old Days,” DD Allen’s Timeless Pursuit of Happiness

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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