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Shadow of the City Music Festival 2016
Features, Festival, Music, News, PreviewsJune 17, 2016<June 17, 2016

(Y)Our Music Guide to Shadow of the City 2016

by Mitch Mosk
Debut, Features, Music, PremieresJune 16, 2016<June 16, 2016

Exclusive Premiere: Agelast Immortalizes Love on “A Different Time”

by Mitch Mosk
Haley Reinhart 2016
Concerts, Features, Interviews, MusicJune 15, 2016<June 15, 2016

“Better” Than Ever Before: A Conversation with Haley Reinhart

by Ethan Germann
Two Door Cinema Club
Essays, Features, MusicJune 15, 2016<May 9, 2017

Editorial: Are We Ready for Two Door Cinema Club’s Return?

by Maggie McHale
I like it when you sleep, for you are so beautiful yet so unaware of it - The 1975
Features, Music, Our Take, ReviewsJune 14, 2016<May 9, 2017

The 1975’s I Like It When You Sleep… A Track-by-Track Review

by Natalie Harmsen
Screenshot from "Life Itself" by Glass Animals
Columns, Music, Music Videos, Today's SongJune 13, 2016<May 6, 2017

Today’s Song: Glass Animals and the Meaning of “Life Itself”

by Mitch Mosk
Northside Festival 2016 poster
Features, Festival, Music, News, PreviewsJune 10, 2016<June 10, 2016

(Y)Our Music Guide to Northside Festival 2016

by Mitch Mosk
Oli Hannaford
Columns, Music, Today's SongJune 10, 2016<June 10, 2016

Today’s Song: Oli Hannaford Keeps Breathing with “Lily”

by Maggie McHale
Atwood Magazine x LiveSyphon
Music, NewsJune 10, 2016<June 10, 2016

Atwood Magazine Announces Partnership with LiveSyphon

by Atwood Magazine Staff
The Temper Trap 2016
Columns, Music, Today's SongJune 9, 2016<June 9, 2016

Today’s Song: The Temper Trap “Burn” with Unrelenting Passion

by Mitch Mosk
Thirdstory (from left to right): Elliott Skinner, Richard Saunders, and Ben Lusher
Debut, Music, Our Take, ReviewsJune 8, 2016<June 8, 2016

Our Take: Thirdstory’s Soul-Stirring “Searching” EP

by Brandon Payano
Frank Turner at Irving Plaza, © Mitch Mosk 2015
Features, Interviews, MusicJune 7, 2016<July 31, 2018

Music Is the End: A Conversation with Frank Turner

by Mitch Mosk
Niki & The Dove consists of Malin Dahlström and Gustaf Karlöf
Columns, Music, Today's SongJune 7, 2016<June 6, 2016

Today’s Song: Niki & The Dove’s “So Much It Hurts” Brings Back the Good Times We Never Had

by Julia Naman
Ethos - Levitation Room
Columns, Music, Today's SongJune 6, 2016<June 6, 2016

Today’s Song: Levitation Room Addresses Societal Pitfalls with “Strangers of Our Time”

by Erin Brown
Mimes of Wine
Features, Music, Music Videos, PremieresJune 3, 2016<June 3, 2016

Exclusive Premiere: Mimes of Wine’s Beautifully Mysterious “Birds of a Feather” and its Out-of-Focus Focus

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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