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ARIZONA © Jimmy Fontaine
Columns, Music, Today's SongOctober 6, 2016<October 5, 2016

Today’s Song: ARIZONA’s “Cross My Mind” Haunts with Prime Production

by Kelly Wynne
"Plastic Heaven" - Andrew Joslyn
Debut, Features, Music, PremieresOctober 5, 2016<February 10, 2017

Exclusive Premiere: Andrew Joslyn’s Dazzling “Plastic Heaven” Dissects Fame with Fiery Passion

by Mitch Mosk
"Wish That You Were Here" - Florence and the Machine
Columns, Music, Today's SongOctober 5, 2016<October 5, 2016

Today’s Song: Florence and The Machine’s “Wish That You Were Here”

by Christine Costello
Jain © RCA Records
Columns, Music, Music You Should KnowOctober 4, 2016<October 4, 2016

Music You Should Know: Jain’s Irresistible “Come” Balances Dark Poetry with a Light Bounce

by Mitch Mosk
The Island Club
Debut, Features, Interviews, MusicOctober 4, 2016<October 5, 2016

Sounds That Make You Feel Something: An Interview with The Island Club

by Nicole Almeida
Catch Prichard © Leif Huron
Features, Music, PremieresOctober 4, 2016<October 4, 2016

Exclusive Premiere: Familiarity and Disconnect Haunt Catch Prichard’s “Hometown”

by Mitch Mosk
Anna Atkinson © Jen Squires
Features, Music, Music Videos, PremieresOctober 3, 2016<October 3, 2016

Exclusive Premiere: Bittersweet Nostalgia on Anna Atkinson’s “When We Were Young”

by Connor Bush
still from Charlotte OC's "Darkest Hour"
Features, Interviews, Music, Music VideosSeptember 30, 2016<March 1, 2018

Love, Loss, and Hope in Her Darkest Hour: A Conversation with Charlotte OC

by Mitch Mosk
Loren North © Mackenzie Lenora
Debut, Features, Interviews, MusicSeptember 30, 2016<September 30, 2016

Embracing Honest Pop: A Conversation with Loren North

by Kelly Wynne
Blame Candy self-portrait
Debut, Features, Music, Music Videos, PremieresSeptember 29, 2016<October 13, 2016

Exclusive Premiere: Blame Candy Debuts with Empowering Energy on Anthemic “Life Like You”

by Renae Weaver
Young the Giant 2016
Features, Interviews, MusicSeptember 29, 2016<June 15, 2018

Amerika, Identity, and the Home of the Strange: A Conversation with Young the Giant

by Mitch Mosk
Wildhood's VERT
Columns, Debut, Music, Music You Should Know, ReviewsSeptember 29, 2016<September 29, 2016

Music You Should Know: Wildhood’s “Vert” is One Wild Ride

by Lindsay Call
Care - How to Dress Well
Music, Our Take, ReviewsSeptember 28, 2016<September 28, 2016

Our Take: How to Dress Well Surprises with Fourth Album, Care

by Alex Killian
Thirsty
Features, Music, PremieresSeptember 28, 2016<September 27, 2016

Exclusive Premiere: Thirsty Invite You Down Their Rabbit Hole with “The Albatross”

by Nicole Almeida
Bridges and Powerlines © Mara Abols
Features, Music, PremieresSeptember 27, 2016<September 27, 2016

Exclusive Premiere: The Polished Punch of Bridges and Powerlines’ “Even Killers Need A Home”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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