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Adult Future is Darius Byrne, Brian Ireland, and Andrew Eyles
Debut, Features, Music, PremieresSeptember 16, 2016<September 19, 2016

Exclusive Premiere: Adult Future Fight Fear with Love on Debut “The Leaf House”

by Mitch Mosk
Handsome Ghost's Tim Noyes © Daniel Silbert
Features, Interviews, MusicSeptember 15, 2016<December 23, 2016

Dark, with Just a Touch of Light: A Conversation with Handsome Ghost

by Mitch Mosk
Screenshot from "The Things I’ve Always Liked I Now Hate" by Occurrence
Features, Music, Music Videos, PremieresSeptember 15, 2016<September 15, 2016

Exclusive Premiere: Occurrence’s Unsettling Video “The Things I’ve Always Liked I Now Hate”

by Mitch Mosk
"bb (four missed texts)" - Kid Froopy
Columns, Music, Today's SongSeptember 15, 2016<September 15, 2016

Today’s Song: Kid Froopy’s “bb (four missed texts),” an Almost Love Song for the Digital Age

by Alex Killian
Everything Is Green
Debut, Features, Music, PremieresSeptember 14, 2016<September 14, 2016

Exclusive Premiere: The Colorful Flavors on Everything is Green’s “Sweet Teeth”

by Mitch Mosk
Ball Park Music
Columns, Music, Today's SongSeptember 14, 2016<September 14, 2016

Today’s Song: (Kinda) Give into the Void with Ball Park Music’s “Nihilist Party Anthem”

by Lindsay Call
Faulkner
Columns, Music, Today's SongSeptember 13, 2016<September 13, 2016

Today’s Song: Faulkner’s Anthem “Halo Me” Finds Strength in Hardship

by Mitch Mosk
Grouplove © JMH
Music, Our Take, ReviewsSeptember 12, 2016<September 12, 2016

Our Take: Grouplove’s Big Mess Explores Mature Emotion

by Kelly Wynne
JONES © Josh Shinner
Debut, Features, Interviews, MusicSeptember 12, 2016<September 12, 2016

Love and Becoming Limitless: A Conversation with JONES

by Natalie Harmsen
The Get Down 9.2
Music, Our Take, ReviewsSeptember 9, 2016<September 5, 2023

Our Take: Get Down with This Sound – Music from Luhrmann’s Latest Delivers Big

by Josh Weiner
Mainland © Jacqueline Harriet
Features, Interviews, MusicSeptember 9, 2016<September 9, 2016

Modern Timelessness: A Conversation with Mainland

by Maggie McHale
CLAVVS © Piezo Quartz
Features, Music, PremieresSeptember 8, 2016<September 8, 2016

Exclusive Premiere: CLAVVS’ Hypnotic and Lustful “Serpentine”

by Mitch Mosk
Viola Beach
Features, Music, ReviewsSeptember 7, 2016<September 6, 2016

Boys That Sing: Viola Beach’s Infectious Spirit Lives On in Debut Album

by Lindsay Call
Truitt band picture 2016
Columns, Debut, Music, Today's SongSeptember 7, 2016<September 6, 2016

Today’s Song: Truitt’s Reign Begins with “Throne”

by Kaitlyn Zorilla
Amy Shark © 2016
Columns, Music, Today's SongSeptember 6, 2016<December 18, 2016

Today’s Song: Reviving Innocent Memories within Amy Shark’s “Adore”

by Hannah Maire
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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