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Santah perform "Here Are My Shells"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 14, 2016<November 13, 2024

Atwood Magazine and LiveSyphon Present: Santah Share Their Shells

by Nicole Almeida
Fog © Cameron Wittig
Columns, Music, Today's SongOctober 14, 2016<October 14, 2016

Today’s Song: Finding Purpose in Fog’s “Made to Follow”

by Kaitlyn Zorilla
BANKS © 2016
Features, Music, Our Take, ReviewsOctober 13, 2016<May 9, 2017

Arriving at ‘The Altar’ with BANKS: A Track-by-Track Review

by Regan Wojick
Is the Is Are - DIIV
Columns, Music, Music You Should Know, Our Take, ReviewsOctober 13, 2016<October 13, 2016

Music You Should Know: DIIV-ing into DIIV’s ‘Is The Is Are’

by Tracy Smith
The Japanese House © 2016
Columns, Music, Today's SongOctober 13, 2016<October 17, 2016

Today’s Song: Honesty and Redemption in The Japanese House’s “Face Like Thunder”

by Nicole Almeida
Rocket Quaffle - Couch Jackets
Features, Music, Music Videos, PremieresOctober 12, 2016<October 12, 2016

Exclusive Premiere: Couch Jackets’ “Rocket Quaffle” Is a Fun, Colorful Chaos

by Mitch Mosk
Black Honey © Charlotte Patmore
Columns, Music, Music Videos, Today's SongOctober 12, 2016<October 12, 2016

Today’s Song: Black Honey Ditch the Past in “Hello Today”

by Lindsay Call
Zach Ashton
Features, Music, PremieresOctober 11, 2016<October 11, 2016

Exclusive Premiere: The Painstaking Patience of Zach Ashton’s “Borderline”

by Mitch Mosk
Dessa
Columns, Music, Today's SongOctober 11, 2016<October 11, 2016

Today’s Song: Dessa’s “Quinine” Is More Than Meets the Eye

by Erika Kooda
FRENSHIP © Columbia Records
Debut, Features, Interviews, MusicOctober 10, 2016<October 10, 2016

Swimming with the Current: A Conversation with FRENSHIP

by Lindsay Call
Izzy Bizu © Epic Records
Debut, Music, Our Take, ReviewsOctober 10, 2016<October 10, 2016

Our Take: Izzy Bizu Finds Clarity on Debut “A Moment of Madness”

by Natalie Harmsen
BRÅVES "Me The Thief" still
Columns, Music, Music Videos, Today's SongOctober 7, 2016<October 7, 2016

Today’s Song: Love is Love on BRÅVES’ Powerfully Passionate “Me The Thief”

by Mitch Mosk
Annabelle's Curse perform "Regret"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 7, 2016<October 7, 2016

Atwood Magazine and LiveSyphon Present: The Blessed Duality of Annabelle’s Curse

by Kaitlyn Zorilla
"National Fantasy" still - Bridges and Powerlines
Features, Music, Music Videos, PremieresOctober 6, 2016<October 6, 2016

Exclusive Premiere: Bridges and Powerlines’ “National Fantasy” Searches for Meaning

by Mitch Mosk
Alex Hager © Ruby James
Debut, Features, Music, Music Videos, PremieresOctober 6, 2016<January 24, 2017

Exclusive Premiere: Alex Hager Bursts onto Pop Scene with “Drive Me Crazy”

by Alex Killian
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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