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These Wild Plains © Lisa Czech
Features, Festival, Interviews, MusicJune 3, 2016<June 3, 2016

Rugged and Plainsy or Wildly Plain? A Conversation with These Wild Plains

by Mitch Mosk
"Heartbreak Hi" - Avec Sans
Columns, Music, Today's SongJune 2, 2016<June 2, 2016

Today’s Song: Avec Sans Connects in “Heartbreak Hi”

by Lindsay Call
"Delilah" (The Odyssey – Chapter 8) - Florence and the Machine
Features, Music, Music Videos, ReviewsJune 2, 2016<June 2, 2016

Florence + The Machine Captivates with the Frailty and Beauty of Human Existence in “The Odyssey”

by Erin Brown
Scuzz Ortegé
Columns, Debut, Music, Today's SongJune 1, 2016<June 1, 2016

Today’s Song: Scuzz Ortegé Steps Up to Fight on Debut “Bodies”

by Mitch Mosk
Car Seat Headrest
Music, Our Take, ReviewsJune 1, 2016<June 1, 2016

Our Take: Car Seat Headrest’s ‘Teens of Denial’ is Anthemic Indie Rock at Its Best

by Ross Finney
Ariana Grande Dangerous Woman review 8.3
Music, Our Take, ReviewsMay 31, 2016<September 5, 2023

Our Take: Ariana Grande Pulls Off a Hat Trick with ‘Dangerous Woman’

by Josh Weiner
Earthquake Weather - Onsen
Debut, Features, Music, PremieresMay 31, 2016<May 12, 2020

Exclusive Premiere: Onsen’s “What Fortunes” at the Crossroads of Breakup

by Mitch Mosk
Boston Calling May 2016
Features, Festival, Music, News, PreviewsMay 27, 2016<December 10, 2024

(Y)Our Guide to Boston Calling Music Festival, May 2016

by Mitch Mosk
Sam Wills
Columns, Music, Today's SongMay 27, 2016<May 27, 2016

Today’s Song: Sam Wills’ Soulfully Cathartic Slow-Burn, “Light On Me”

by Brandon Payano
TUSKANY, a band from Belfast
Columns, Music, Today's SongMay 26, 2016<May 27, 2016

Today’s Song: Tuskany’s “Shapes” Shakes Up Indie Pop

by Lindsay Call
Dreamland - Wild Belle
Features, Music, Our Take, ReviewsMay 25, 2016<May 25, 2016

Our Take: Wild Belle’s “Dreamland” Shows the Importance of Good Genes

by Julia Naman
Dustin Tebbutt © Cybele Malinowski
Columns, Music, Today's SongMay 25, 2016<May 25, 2016

Today’s Song: Dustin Tebbutt Falls in Love at “First Light”

by Mitch Mosk
Rae Fitzgerald © Scott Peterson
Features, Music, PremieresMay 24, 2016<May 24, 2016

Exclusive Premiere: Rae Fitzgerald’s “Lost in Ukrainian Village” Longs for ‘Home’

by Mitch Mosk
Twin Peaks © Daniel Topete
Columns, Music, Today's SongMay 24, 2016<May 23, 2016

Today’s Song: Twin Peaks Dance Through Doom with “Butterfly”

by Crisa Valadez
MØ © Fryd Frydendahl
Columns, Music, Today's SongMay 23, 2016<May 23, 2016

Today’s Song: Finding Rhythm and Soul with MØ in “Final Song”

by Regan Wojick
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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