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Kaleo © Alexandra Valenti
Music, Our Take, ReviewsSeptember 27, 2016<September 27, 2016

Our Take: Kaleo’s A/B, Full of Fire and Ice

by Erika Kooda
The Happy Fits
Debut, Features, Interviews, MusicSeptember 26, 2016<April 28, 2017

An Awfully Apeelin’ Story: Introducing The Happy Fits

by Mitch Mosk
FHB's "Regular" music video
Columns, Debut, Music, Music Videos, Today's SongSeptember 26, 2016<September 23, 2016

Today’s Song: FHB Breaks Down Barriers with “Regular”

by Ethan Germann
Paige Calico © Henry Diltz
Debut, Features, Music, PremieresSeptember 23, 2016<September 23, 2016

Exclusive Premiere: Paige Calico’s Haunting “Crying Diamonds” EP Seeks Clarity in Chaos

by Mitch Mosk
LOLO 2016 7.4
Debut, Music, Our Take, ReviewsSeptember 23, 2016<June 7, 2024

Our Take: LOLO Shines in Debut “In Loving Memory of When I Gave a Sh*t”

by Erin Brown
Modern Me © Addie Briggs
Features, Music, PremieresSeptember 22, 2016<September 22, 2016

Exclusive Premiere: Modern Me’s Electric “Run Away” is an Instant Hit

by Mitch Mosk
Brennan Leeds performs "Thigh Tattoo"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoSeptember 22, 2016<September 22, 2016

Atwood Magazine and LiveSyphon Present: Brennan Leeds’ Love-Drunk “Thigh Tattoo”

by Mitch Mosk
NGOD © Daniel Alexander Harris
Columns, Music, Today's SongSeptember 22, 2016<September 22, 2016

Today’s Song: Self-Awareness and Validation on NGOD’s “Can You Hear Me?”

by Maggie McHale
Biscuits & Gravy
Features, Music, Our Take, PremieresSeptember 21, 2016<September 21, 2016

Exclusive Premiere: Biscuits & Gravy Capture the Magic on “Young Love”

by Mitch Mosk
Screenshot from Loren North's "feel it out" music video
Columns, Debut, Music, Music Videos, Today's SongSeptember 21, 2016<September 20, 2016

Today’s Song: Loren North’s “Feel It Out” Embraces Honest Heartbreak

by Kelly Wynne
KAMAU © Arturo Olmos
Debut, Music, Our Take, ReviewsSeptember 20, 2016<September 20, 2016

Our Take: KAMAU’S Personal and Electrifying Fortune

by Brandon Payano
Forth Wanderers © Grace Rossi-Conaway
Columns, Music, Music Videos, Today's SongSeptember 20, 2016<September 20, 2016

Today’s Song: The Lovesick Adolescence of Forth Wanderers’ “Slop”

by Shayna Chabrow
Komox
Features, Music, PremieresSeptember 19, 2016<September 19, 2016

Exclusive Premiere: Komox’s Irresistibly Heartfelt “Million Ways” Fights for Love

by Mitch Mosk
Inner Wave
Columns, Music, Today's SongSeptember 19, 2016<September 19, 2016

Today’s Song: The Uneasy, Love-Struck Melodies of Inner Wave’s “College Curls”

by Tracy Smith
James Vincent McMorrow © Sarah Doyle
Features, Music, ReviewsSeptember 16, 2016<September 16, 2016

James Vincent McMorrow’s We Move: A Track-by-Track Review

by Nicole Almeida
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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