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Moody Joody © Luke Rogers
Interviews, MusicMay 1, 2026<May 1, 2026

Meet Moody Joody: Three Musicians, Two Prevailing Moods, One Awesome Pop Trio Worth Keeping Your Eyes On

by Josh Weiner
Brett Emmons Starts Fresh as John Shambles © Alexander Sworik
Debut, Features, Interviews, MusicMay 1, 2026<May 2, 2026

“I’m Gonna Keep on Throwing Curveballs”: Brett Emmons Starts Fresh as John Shambles on ‘Cabin Fever,’ His Most Honest, Unvarnished Work Yet

by Aileen Goos
People I've Met (L-R: Moses Martin, Andrew Suster, and Orlando Wiltshire) © Mikayla LoBasso
Interviews, Music, Today's SongMay 1, 2026<May 6, 2026

“My Limerence Just Fell on You”: People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie

by Mitch Mosk
Walker Reinhardt © Andrew Foss
Interviews, Music, PremieresApril 30, 2026<April 30, 2026

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria

by Mitch Mosk
Rosenthal (Jeppe Kiel Revsbech) © Mads Nordvig Borup
Debut, Interviews, Music, PremieresApril 30, 2026<April 30, 2026

“The Morning Skies Are for You”: Rosenthal Transforms Lost Love into Light on “Luna,” a Glistening Reverie of Gratitude & Memory

by Mitch Mosk
Ok Goodnight © Zack Spencer
Interviews, Music, Today's SongApril 30, 2026<April 30, 2026

“We Brought Out the Weight”: Ok Goodnight Roar Through Betrayal, Forgiveness, & Creative Rebirth on “22,” a Feverish Hard Rock Reckoning

by Mitch Mosk
Annabelle Dinda © Lia Whitman
Debut, Features, Interviews, MusicApril 29, 2026<April 29, 2026

“God Forbid She Shows Emotion”: Annabelle Dinda Stakes Her Claim on ‘Some Things Never Leave,’ a Fearless Debut Album About Memory, Identity, & Emotional Residue

by Mitch Mosk
Audrey Hobert, Life From Cherry Lane Theatre
Concerts, Music, ReviewsApril 29, 2026<April 29, 2026

A Night with Audrey Hobert at Cherry Lane Theatre

by Kelly McCafferty Dorogy
Hilary Duff ‘luck… or something’ album art
Features, Music, Reviews, RoundtableApril 29, 2026<April 29, 2026

Roundtable Discussion: A Review of Hilary Duff’s ‘ luck… or something’

by Atwood Magazine Staff
The Temper Trap © Alberto Zimmermann
Features, Interviews, Music, Today's SongApril 29, 2026<April 29, 2026

“Layin’ It Bare”: The Temper Trap on Transforming Grief into a Soaring New Life in “Giving Up Air” & Fourth Album ‘Sungazer’

by Mitch Mosk
Atwood Magazine's 153rd Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 27, 2026<April 27, 2026

Editor’s Picks 153: Iron & Wine, ARCHIE, Young the Giant, Friko, People I’ve Met, & mildred!

by Mitch Mosk
Pig Milk © Cassidy Jones
Debut, Features, Interviews, MusicApril 27, 2026<April 27, 2026

Got Pig Milk? NYC’s Sapphic Rock Band on the Rise

by Guest Writer
Meltt © Zachary Vague
Columns, Music, Today's SongApril 27, 2026<April 27, 2026

“Towards The Sun in the Night or Day”: Meltt Shimmer a New Reality into Being with “Up All Night,” a Mesmerizing Single That Shines a Light on Anticipation

by Ashley Littlefield
Liya Shapiro © Viktoria Vorobeva
Interviews, Music, Today's SongApril 25, 2026<April 25, 2026

“I Made Something Beautiful Out of That Pain”: Liya Shapiro Turns Heartache into Catharsis on “Another Woman”

by Joe Beer
Any Young Mechanic © Nash Blight
Columns, Interviews, Music, Today's SongApril 24, 2026<April 24, 2026

“What You Hear Is What Was Played”: Any Young Mechanic Are Bringing Raw, Beautifully Human Imperfections Back to Modern Folk Music

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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