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James Vincent McMorrow © Sarah Doyle
Features, Music, ReviewsSeptember 16, 2016<September 16, 2016

James Vincent McMorrow’s We Move: A Track-by-Track Review

by Nicole Almeida
Adult Future is Darius Byrne, Brian Ireland, and Andrew Eyles
Debut, Features, Music, PremieresSeptember 16, 2016<September 19, 2016

Exclusive Premiere: Adult Future Fight Fear with Love on Debut “The Leaf House”

by Mitch Mosk
Handsome Ghost's Tim Noyes © Daniel Silbert
Features, Interviews, MusicSeptember 15, 2016<December 23, 2016

Dark, with Just a Touch of Light: A Conversation with Handsome Ghost

by Mitch Mosk
Screenshot from "The Things I’ve Always Liked I Now Hate" by Occurrence
Features, Music, Music Videos, PremieresSeptember 15, 2016<September 15, 2016

Exclusive Premiere: Occurrence’s Unsettling Video “The Things I’ve Always Liked I Now Hate”

by Mitch Mosk
"bb (four missed texts)" - Kid Froopy
Columns, Music, Today's SongSeptember 15, 2016<September 15, 2016

Today’s Song: Kid Froopy’s “bb (four missed texts),” an Almost Love Song for the Digital Age

by Alex Killian
Everything Is Green
Debut, Features, Music, PremieresSeptember 14, 2016<September 14, 2016

Exclusive Premiere: The Colorful Flavors on Everything is Green’s “Sweet Teeth”

by Mitch Mosk
Ball Park Music
Columns, Music, Today's SongSeptember 14, 2016<September 14, 2016

Today’s Song: (Kinda) Give into the Void with Ball Park Music’s “Nihilist Party Anthem”

by Lindsay Call
Faulkner
Columns, Music, Today's SongSeptember 13, 2016<September 13, 2016

Today’s Song: Faulkner’s Anthem “Halo Me” Finds Strength in Hardship

by Mitch Mosk
Grouplove © JMH
Music, Our Take, ReviewsSeptember 12, 2016<September 12, 2016

Our Take: Grouplove’s Big Mess Explores Mature Emotion

by Kelly Wynne
JONES © Josh Shinner
Debut, Features, Interviews, MusicSeptember 12, 2016<September 12, 2016

Love and Becoming Limitless: A Conversation with JONES

by Natalie Harmsen
The Get Down 9.2
Music, Our Take, ReviewsSeptember 9, 2016<September 5, 2023

Our Take: Get Down with This Sound – Music from Luhrmann’s Latest Delivers Big

by Josh Weiner
Mainland © Jacqueline Harriet
Features, Interviews, MusicSeptember 9, 2016<September 9, 2016

Modern Timelessness: A Conversation with Mainland

by Maggie McHale
CLAVVS © Piezo Quartz
Features, Music, PremieresSeptember 8, 2016<September 8, 2016

Exclusive Premiere: CLAVVS’ Hypnotic and Lustful “Serpentine”

by Mitch Mosk
Viola Beach
Features, Music, ReviewsSeptember 7, 2016<September 6, 2016

Boys That Sing: Viola Beach’s Infectious Spirit Lives On in Debut Album

by Lindsay Call
Truitt band picture 2016
Columns, Debut, Music, Today's SongSeptember 7, 2016<September 6, 2016

Today’s Song: Truitt’s Reign Begins with “Throne”

by Kaitlyn Zorilla
Posts pagination
1 … 698 699 700 701 702 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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