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Amy Shark © 2016
Columns, Music, Today's SongSeptember 6, 2016<December 18, 2016

Today’s Song: Reviving Innocent Memories within Amy Shark’s “Adore”

by Hannah Maire
Acid Ghost
Features, Interviews, MusicSeptember 5, 2016<December 29, 2017

Being Warhol: A Conversation with Acid Ghost

by Nicole Almeida
Features, Interviews, MusicSeptember 2, 2016<September 1, 2016

Power Pop Synergy: A Conversation with Black Tie Stereo

by Maggie McHale
Future Generations © Arturo Olmos
Debut, Music, Our Take, ReviewsSeptember 2, 2016<August 31, 2016

Anxious Minds Think Alike: The Voice of Future Generations

by Christine Costello
Lorde
Columns, Music, Nostalgia TracksSeptember 1, 2016<August 31, 2016

Nostalgia Tracks: Lorde’s Teen Angst Anthem “Ribs”

by Regan Wojick
Mothers band
Features, Interviews, MusicSeptember 1, 2016<September 1, 2016

Getting Outside and Waking Up: A Conversation with Mothers

by Connor Bush
Freedom Fry © Michelle Shiers
Features, Interviews, MusicAugust 31, 2016<August 31, 2016

Duet Between Two Nationalities: A Conversation with Freedom Fry

by Nicole Almeida
INHEAVEN
Columns, Music, Music Videos, Today's SongAugust 31, 2016<August 31, 2016

Today’s Song: Love, Music, & Film Take Center Stage in INHEAVEN’s “All There Is”

by Lindsay Call
Cubits © Isaac Winkler
Debut, Features, Music, PremieresAugust 30, 2016<August 30, 2016

Exclusive Premiere: Iowa’s Cubits Hypnotize on Debut “Oh Well That Ends Well”

by Mitch Mosk
Maty Noyes © Tony Duran
Debut, Features, Interviews, MusicAugust 30, 2016<September 9, 2016

Past and Present: A Conversation with Maty Noyes

by Ethan Germann
St Paul and the Broken Bones © David McClister
Columns, Music, Today's SongAugust 29, 2016<September 9, 2016

Today’s Song: St. Paul & The Broken Bones Challenge Apathy on “All I Ever Wonder”

by Mitch Mosk
Jane's Party - live at Niagara On The Lake, August 2016 // © Shannon Ruzgys
Features, Interviews, Music, PremieresAugust 29, 2016<August 29, 2016

Old Friends and New Sounds: A Conversation with Jane’s Party

by Shannon Ruzgys
"Fake It" - Bastille
Columns, Music, Today's SongAugust 26, 2016<August 23, 2016

Today’s Song: Bastille Ponders Real Love on “Fake It”

by Natalie Harmsen
Glass Animals © Neil Krug
Features, Interviews, MusicAugust 25, 2016<March 22, 2017

The Musician’s Guide to Human Beings: A Conversation with Glass Animals

by Mitch Mosk
Belfast's Tuskany
Features, Music, PremieresAugust 25, 2016<August 23, 2016

Exclusive Premiere: Run Away with Tuskany in “Thursday”

by Lindsay Call
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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