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Burning in Birmingham - Amy León
Columns, Music, Today's SongAugust 15, 2016<August 15, 2016

Today’s Song: Amy León Ignites in “Burning in Birmingham”

by Lindsay Call
Greye performs "Momma"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoAugust 15, 2016<August 15, 2016

Atwood Magazine and LiveSyphon Present: The Most Colorful Shade of GREYE

by Ethan Germann
Debut, Music, Music Videos, PremieresAugust 12, 2016<August 12, 2016

Exclusive Premiere: Novelties Embrace the Night in “Intro From The Other Side”

by Maggie McHale
The Rare Occasions (from left to right): Peter Stone, Jeremy Cohen, Brian McLaughlin, and Luke Imbusch // credit: Jonas Meyer 8.6
Features, Music, Our Take, ReviewsAugust 11, 2016<June 16, 2022

Our Take: Daring and Depth on The Rare Occasions’ “Futureproof” EP

by Mitch Mosk
Douglas Dare © Özge Cöne
Columns, Music, Today's SongAugust 11, 2016<August 10, 2016

Today’s Song: Douglas Dare’s “Doublethink” Touches on the Modern-Day Zeitgeist

by Olivia Seville
Woodes
Debut, Features, Interviews, MusicAugust 10, 2016<August 10, 2016

Glistening in “The Thaw”: A Conversation with Woodes

by Hannah Maire
COTE © Jen Trahan
Columns, Debut, Music, Today's SongAugust 10, 2016<December 17, 2018

Today’s Song: Intimate Reflections on COTE’s Debut “London”

by Mitch Mosk
The Last Shadow Puppets © Zackery Michael
Concerts, MusicAugust 9, 2016<August 9, 2016

LIVE: The Last Shadow Puppets Dazzle in San Diego

by Kaitlyn Zorilla
Youth Culture © Brigid Crispi
Debut, Features, Interviews, MusicAugust 8, 2016<August 8, 2016

Youth Culture’s “U:Me” Navigates Young Lust

by Mitch Mosk
Coast Modern 2016
Columns, Music, Today's SongAugust 8, 2016<August 8, 2016

Today’s Song: Let Coast Modern Be Your “Guru”

by Nicole Almeida
Private Island 2016
Features, Music, Our Take, ReviewsAugust 5, 2016<August 5, 2016

Our Take: Private Island’s “Sunbreak” EP is a Coming-of-Age Treasure

by Mitch Mosk
"Perfect" by Bibi Bourelly
Columns, Music, Today's SongAugust 5, 2016<February 1, 2017

Today’s Song: Bibi Bourelly Reinvents the Meaning of Perfection

by Ethan Germann
Newbury Park, CA six-piece HUNNY
Columns, Music, Today's SongAugust 4, 2016<August 4, 2016

Today’s Song: HUNNY’s “Colder Parts” Lights an Empowering Fire

by Mitch Mosk
Vylet
Debut, Features, Music, PremieresAugust 3, 2016<August 3, 2016

Exclusive Premiere: Vylet Debuts with Youthful Turmoil on “Why”

by Mitch Mosk
KOLAJ © Koury Angelo
Debut, Features, Interviews, MusicAugust 3, 2016<August 3, 2016

Pop Outside the Box: A Conversation with KOLAJ

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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