• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Palm
Debut, Music, Our Take, ReviewsNovember 12, 2015<November 12, 2015

Our Take: On Trading Basics, Palm Has No Comparison

by Ross Finney
Tony Ferrari © Alfredo Chocano
Columns, Music, Today's SongNovember 11, 2015<November 11, 2015

Today’s Song: Tony Ferrari Hits His Stride With “Use Me Up”

by Ethan Germann
Carly Rae Jepsen © Vanessa Heins
Features, Interviews, MusicNovember 10, 2015<November 14, 2019

Reaching the Depths of Emotion: A Conversation with Carly Rae Jepsen

by Mitch Mosk
CLAVVS © Leah Roth
Music, Music Videos, Premieres, ReviewsNovember 10, 2015<November 10, 2015

Exclusive Premiere: The Occult Fascination of CLAVVS’ “Sit You Down”

by Atwood Magazine Staff
Art, Columns, FeaturesNovember 10, 2015<November 10, 2015

Cool Kid Club: Corrinne James

by Liza
Wildling
Debut, Music, Premieres, ReviewsNovember 9, 2015<November 9, 2015

Exclusive Premiere: Wildling’s Catchy and Clever “Palindrome”

by Mitch Mosk
Hippo Campus © Chris Sikich
Columns, Music, Today's SongNovember 9, 2015<November 10, 2015

Today’s Song: The Sweetness of “South” by Hippo Campus

by Natalie Harmsen
Atwood in Focus: New Music, 11/6/2015
NewsNovember 6, 2015<March 23, 2017

Atwood In Focus: November 6th New Music

by Atwood Magazine Staff
Debut, Music, Our Take, ReviewsNovember 5, 2015<November 11, 2015

Raury Continues to Inspire with “All We Need”

by Ali
Music, ReviewsNovember 5, 2015<November 5, 2015

Blu, M.E.D. and Madlib Make Enjoyably Low-Stakes Indie Rap on “Bad Neighbor”

by Grant Rindner
NoMBe (Noah McBeth)
Columns, Music, Today's SongNovember 4, 2015<March 22, 2018

Today’s Song: Poignant Closure on NoMBe’s “Kemosabe”

by Mitch Mosk
Concerts, Music, Our Take, ReviewsNovember 4, 2015<November 4, 2015

Live: Beach House Preach Authenticity in Amsterdam

by Liza
Music, Music You Should Know, Our Take, ReviewsNovember 3, 2015<November 3, 2015

Our Take: The Evocative Awareness of The Neighbourhood’s “Wiped Out!”

by Maggie McHale
Wicked Man isYonatan Tietz (vocals/guitar), Justin Kohlberg (guitar, bass), Andrew Kunz (keyboards,vocals) and Max Denny (drums)
Music, Premieres, ReviewsNovember 3, 2015<November 3, 2015

Exclusive Premiere: Daydreams and Doubt on Wicked Man’s “Maybe Later”

by Mitch Mosk
Skylar Grey © Tyler Shields
Features, Interviews, MusicNovember 2, 2015<November 3, 2015

Doing It Her Way: How to Succeed in Music ft. Skylar Grey

by Mitch Mosk
Posts pagination
1 … 714 715 716 717 718 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services