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Atwood in Focus: New Music, 11/13/2015
NewsNovember 13, 2015<November 14, 2015

Atwood In Focus: November 13th New Music

by Atwood Magazine Staff
Palm
Debut, Music, Our Take, ReviewsNovember 12, 2015<November 12, 2015

Our Take: On Trading Basics, Palm Has No Comparison

by Ross Finney
Tony Ferrari © Alfredo Chocano
Columns, Music, Today's SongNovember 11, 2015<November 11, 2015

Today’s Song: Tony Ferrari Hits His Stride With “Use Me Up”

by Ethan Germann
Carly Rae Jepsen © Vanessa Heins
Features, Interviews, MusicNovember 10, 2015<November 14, 2019

Reaching the Depths of Emotion: A Conversation with Carly Rae Jepsen

by Mitch Mosk
CLAVVS © Leah Roth
Music, Music Videos, Premieres, ReviewsNovember 10, 2015<November 10, 2015

Exclusive Premiere: The Occult Fascination of CLAVVS’ “Sit You Down”

by Atwood Magazine Staff
Art, Columns, FeaturesNovember 10, 2015<November 10, 2015

Cool Kid Club: Corrinne James

by Liza
Wildling
Debut, Music, Premieres, ReviewsNovember 9, 2015<November 9, 2015

Exclusive Premiere: Wildling’s Catchy and Clever “Palindrome”

by Mitch Mosk
Hippo Campus © Chris Sikich
Columns, Music, Today's SongNovember 9, 2015<November 10, 2015

Today’s Song: The Sweetness of “South” by Hippo Campus

by Natalie Harmsen
Atwood in Focus: New Music, 11/6/2015
NewsNovember 6, 2015<March 23, 2017

Atwood In Focus: November 6th New Music

by Atwood Magazine Staff
Debut, Music, Our Take, ReviewsNovember 5, 2015<November 11, 2015

Raury Continues to Inspire with “All We Need”

by Ali
Music, ReviewsNovember 5, 2015<November 5, 2015

Blu, M.E.D. and Madlib Make Enjoyably Low-Stakes Indie Rap on “Bad Neighbor”

by Grant Rindner
NoMBe (Noah McBeth)
Columns, Music, Today's SongNovember 4, 2015<March 22, 2018

Today’s Song: Poignant Closure on NoMBe’s “Kemosabe”

by Mitch Mosk
Concerts, Music, Our Take, ReviewsNovember 4, 2015<November 4, 2015

Live: Beach House Preach Authenticity in Amsterdam

by Liza
Music, Music You Should Know, Our Take, ReviewsNovember 3, 2015<November 3, 2015

Our Take: The Evocative Awareness of The Neighbourhood’s “Wiped Out!”

by Maggie McHale
Wicked Man isYonatan Tietz (vocals/guitar), Justin Kohlberg (guitar, bass), Andrew Kunz (keyboards,vocals) and Max Denny (drums)
Music, Premieres, ReviewsNovember 3, 2015<November 3, 2015

Exclusive Premiere: Daydreams and Doubt on Wicked Man’s “Maybe Later”

by Mitch Mosk
Posts pagination
1 … 715 716 717 718 719 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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