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VideoOctober 1, 2014<October 1, 2014

Cinética – Capturing the Beauty of Everyday Movements

by Cynthia Liu
The Drums
Concerts, Music, ReviewsSeptember 30, 2014<September 30, 2014

The Drums Still Atop at The Bowery Ballroom

by Imran Ahmed
Concerts, Music, ReviewsSeptember 29, 2014<September 29, 2014

Rubblebucket pulls out stops, in a dramatic concert

by Celia
The 1975
Features, Interviews, MusicSeptember 26, 2014<January 25, 2020

Sex, Drugs, and Music: An Interview with The 1975

by Mitch Mosk
Secret Someones
Concerts, Features, Interviews, MusicSeptember 25, 2014<September 26, 2014

Out of the Shadows: An Interview with Secret Someones

by Mitch Mosk
Sir Sly promo pic
Features, Interviews, MusicSeptember 24, 2014<May 18, 2025

Dark, Honest and Vulnerable: An Interview with Sir Sly

by Mitch Mosk
Art, Features, InterviewsSeptember 21, 2014<September 21, 2014

A conversation with Gavin Worth

by Cristina
Music, Our Take, ReviewsSeptember 18, 2014<September 18, 2014

Our Take: The Kooks Stretch Their Sound On ‘Listen’

by Charlotte
Boston Calling 2014 poster
Concerts, Features, Music, News, ReviewsSeptember 16, 2014<September 17, 2014

Ring! Ring! Boston Calling Heralds the Coming of Fall

by Mitch Mosk
Sir Sly © Eliot Lee Hazel 9.4
Debut, Features, Music, Our Take, ReviewsSeptember 14, 2014<May 18, 2025

Sir Sly’s ‘You Haunt Me’ Sends Shivers Down the Spine

by Mitch Mosk
The Eeries
Debut, Music, Our Take, ReviewsSeptember 12, 2014<September 13, 2014

The Eeries Hail Weekend Hangouts in Debut Single “Cool Kid”

by Mitch Mosk
Art, ColumnsSeptember 12, 2014<December 7, 2022

Past in Present: Instagram and the Picturesque

by Kate Butler
Columns, Hidden Gems, MusicSeptember 11, 2014<September 8, 2014

Accepting Change with Conor Oberst’s Hidden Gem, “Fast Friends”

by Alexis
Music, Our Take, ReviewsSeptember 10, 2014<September 11, 2014

Our Take: dd elle’s New Single “Tell Me”

by Liza
7.8
Features, Music, Our Take, ReviewsSeptember 9, 2014<May 18, 2025

Our Take: ‘Ritual in Repeat’ Is Tennis’ Winning Set

by Mitch Mosk
Posts pagination
1 … 730 731 732 733 734 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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