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Disaster Kid © 2025
Music, Music Videos, PremieresFebruary 12, 2025<February 12, 2025

Premiere: Chicago’s Disaster Kid Embrace Love & Schmaltz on “Wine/Weapon”

by Mitch Mosk
Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

Feature: Chicago Rapper Juice Mazelee on Legacy, Identity, and Why He’s ‘HERE NOW N FOREVER’

by Mitch Mosk
Julia Logan © Olof Grind
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

‘Faraway Nearby’: Julia Logan Explores Connection, Distance, & the Human Experience on Her Soul-Stirring Sophomore Album

by Mitch Mosk
Ziggy Alberts © Janneke Storm
Columns, Music, Today's SongFebruary 12, 2025<February 12, 2025

Today’s Song: Ziggy Alberts’ “I’m With You” Is a Sun-Kissed Celebration of Love, Adventure, & Life’s Simple Pleasures

by Mitch Mosk
Lucette © Sebestian Buzzalino
Music, PremieresFebruary 11, 2025<February 11, 2025

Premiere: Lucette’s “Too Soon for Sorry” Is a Smoky, Soulful Fever Dream of Regret & Late-Night Longing

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 11, 2025
Columns, Features, Music, Weekly RoundupFebruary 11, 2025<February 11, 2025

Atwood Magazine’s Weekly Roundup: February 11, 2025

by Atwood Magazine Staff
Ebonie Smith © Matt Fajardo
Black History Month, Essays, MusicFebruary 11, 2025<February 11, 2025

“On Imagination”: A Tribute to Black Art, Black Language, and My Friend Derrick Cobb by Ebonie Smith

by Guest Writer
Will Wood © Jacob Feldman
Features, Interviews, MusicFebruary 11, 2025<February 11, 2025

Interview: Will Wood Slouches On

by Guest Writer
bdrmm © Stew Baxter
Columns, Music, Today's SongFebruary 11, 2025<February 11, 2025

Today’s Song: bdrmm’s “John on the Ceiling” Is a Dark Wash of Shiver-Inducing Shoegaze

by Mitch Mosk
Aly & AJ © Stephen Ringer
Columns, Music, Today's SongFebruary 10, 2025<February 10, 2025

Today’s Song: Aly & AJ’s “What It Feels Like” Is a Bold Anthem of Growth & Resilience

by Danielle Holian
Atwood Magazine's 109th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 7, 2025<February 8, 2025

Editor’s Picks 109: Sharon Van Etten & The Attachment Theory, JayWood, Vacation Manor, Mumford & Sons, Dreamer Isioma, & Blind Pilot!

by Mitch Mosk
Sharon Van Etten & The Attachment Theory
Music, ReviewsFebruary 7, 2025<February 7, 2025

Rock Star Power and …Seinfeld?: A Candid Review of ‘Sharon Van Etten & The Attachment Theory’

by Josh Bloom
Rare DM © Calvin Stark
Columns, Music, Today's SongFebruary 7, 2025<February 7, 2025

Journeying into the Chaos: A Look into Rare DM’s “The Ring”

by Juls Patterson
The Killers take a bow for the last of their Caesars Palace residency shows in Las Vegas © Chris Phelps, January 25, 2025
Concerts, Music, ReviewsFebruary 6, 2025<February 6, 2025

Live Review: Making a Hot Fuss in Las Vegas With The Killers

by Emma Schoors
Mary Eliza © Katie Oscar
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2025<February 6, 2025

Loud, Vulnerable, & Raw: Mary Eliza Weaves Quiet Strength into a Sonic Reckoning on Debut Album ‘Spider’

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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