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ECHOS © Slater Goodson (Good Media)
Music, Music Videos, PremieresFebruary 6, 2025<February 6, 2025

Premiere: Echos Breaks Herself Open on “QUIET, IN YOUR SERVICE,” an Alt-Rock Anthem of Upheaval & Empowerment

by Mitch Mosk
Djo © Neil Krug
Columns, Music, Today's SongFebruary 6, 2025<February 6, 2025

Today’s Song: Djo’s “Basic Being Basic” Tackles the Superficial With Psychedelic Flare

by Mariam Bagdady
Atwood Magazine's Weekly Roundup | February 5, 2025
Columns, Features, Music, Weekly RoundupFebruary 5, 2025<February 5, 2025

Atwood Magazine’s Weekly Roundup: February 5, 2025

by Atwood Magazine Staff
Atwood Magazine's 2025 Artists to Watch
Artist to Watch, Features, Lists, MusicFebruary 5, 2025<February 5, 2025

Atwood Magazine’s 2025 Artists to Watch

by Atwood Magazine Staff
Glare "Guts" © Sam Tellez
Columns, Music, Today's SongFebruary 5, 2025<February 5, 2025

Today’s Song: Glare Catch the Love Bug in Surreal New Track “Guts”

by Kaiana Lee
Cecilia Castleman © 2025
Debut, Features, Interviews, MusicFebruary 4, 2025<February 4, 2025

Interview: Cecilia Castleman Captures the Essence of Youth in Self-Titled Debut LP

by Noa Jamir
Lady Gaga 'MAYHEM' © Frank Lebon
Columns, Music, Today's SongFebruary 4, 2025<February 4, 2025

Today’s Song: Lady Gaga Makes a Spellbinding Return to Dark Pop With “Abracadabra”

by Danielle Holian
Spencer Katz © 2025
Interviews, Music, PhotographyFebruary 3, 2025<February 3, 2025

Seeing It All: Getting Behind the Lens With NYC Photographer Spencer “Bodega” Katz

by Ciaran Short
Perfume Genius © Cody Critcheloe
Columns, Music, Today's SongFebruary 3, 2025<February 3, 2025

Today’s Song: Perfume Genius’ “It’s a Mirror” Offers a Radical & Soul-Stirring Preview of Seventh Album, ‘Glory’

by Bárbara Martínez Campuzano
Atwood Magazine's 2025 Grammy Award Predictions
Essays, Features, Lists, MusicJanuary 31, 2025<January 31, 2025

Atwood Magazine’s 2025 Grammy Awards Predictions

by Noah Wade
Angie McMahon 'Light Sides' © Young Ha Kim
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Growth, Grief, & Gratitude: Angie McMahon Reflects on Her Intimate Journey from Darkness to ‘Light Sides’

by Mitch Mosk
The Spice of Life
Columns, Sounds From the GroundJanuary 31, 2025<January 31, 2025

Sounds From the Ground: The Spice of Life and Cheeky Chicos

by Frederick Bloy
Franz Ferdinand 'The Human Fear' album art
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Identity, Instinct, and ‘The Human Fear’: A Conversation With Franz Ferdinand

by Nasim Elyasi
Japanese Breakfast © Pak Bae
Columns, Music, Today's SongJanuary 31, 2025<January 31, 2025

“Like Venus from a shell”: “Orlando in Love” Is Japanese Breakfast’s Dreamy, Seductive Siren Song

by Marc Maleri
Las Nubes © Sal Rispoli
Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Heavy, Cathartic, & Saudade: Las Nubes Brave Life’s Storms on Fiery Sophomore LP ‘Tormentas Malsanas’

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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