Debut, Features, Music, Reviews, Track-by-TrackJanuary 25, 2022<January 24, 2022 “Nebulous, Haven, Healing”: Glass Echoes Stun with Fragile & Cinematic Debut Album ‘Breathe’ by Mitch Mosk
Features, Music, ReviewsJanuary 24, 2022<January 24, 2022 The Late Style of Dave Gahan & Paul Weller: Imprints of Bowie by David Buyze
Columns, Music, Today's SongJanuary 24, 2022<January 24, 2022 Today’s Song: Star2 Captures the Sunny Sensations of Romance with “Thinkin Bout You” by Chloe Robinson
Features, Music, Reviews, Track-by-TrackJanuary 21, 2022<February 7, 2022 “Water Your Garden”: Magic City Hippies Go Track-by-Track Through Buoyant, Seductive New Album by Mitch Mosk
Columns, Features, Music, Weekly RoundupJanuary 21, 2022<January 21, 2022 Atwood Magazine’s Weekly Roundup: January 21, 2022 by Atwood Magazine Staff
Debut, Features, Interviews, MusicJanuary 21, 2022<August 12, 2022 Exploring Our Primal Selves: TRISHES Dives into Her “Raw, Vivid, & Emotional” Debut Album ‘The Id’ by Mitch Mosk
Features, Interviews, MusicJanuary 21, 2022<January 25, 2022 Transcending Your Instrument: A Conversation with Arooj Aftab by Ben Niesen
Columns, Music, Today's SongJanuary 21, 2022<January 21, 2022 Today’s Song: Collapsing Scenery Blur the Lines Between Psychedelic Art & Music with “You Already Know” by Beau Hayhoe
Columns, Editor's Picks, Features, MusicJanuary 20, 2022<January 20, 2022 Editor’s Picks 53: Metronomy, Daisy the Great, Hembree, Yumi Zouma, Michelles, & Empath by Mitch Mosk
Columns, Music, Today's SongJanuary 20, 2022<January 20, 2022 Today’s Song: Stephanie Poetri’s “Picture Myself” Dwells in the Longing of Long Distance by Mitch Mosk
Music, PremieresJanuary 20, 2022<January 20, 2022 Premiere: Frances Luke Accord’s “Afterlife” Is a Soothing Ode to Everlasting Connection by Mitch Mosk
A Casual Ramble, Columns, MusicJanuary 20, 2022<February 1, 2022 A Casual Ramble: Albums of The Year 2021 Racket Edition by Ben Niesen
Music, PremieresJanuary 19, 2022<January 19, 2022 Premiere: Austin’s Under the Rug Reckon with Grief in Soothing “Go to Sleep” Off 2nd Album ‘Dear Adeline’ by Mitch Mosk
8.2 Music, Our Take, ReviewsJanuary 19, 2022<October 8, 2024 Our Take: Nas Has Plenty of ‘Magic’ Left to Spin on 15th LP by Josh Weiner
Debut, Features, Interviews, MusicJanuary 19, 2022<August 15, 2022 “Funk, Feeling, Future”: Joel Culpepper on His Soulful & Triumphant Debut ‘Sgt Culpepper’ by Mitch Mosk
For the Love of Music
For the Love of Music
