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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Emmy Wildwood
Interviews, MusicApril 8, 2020<April 8, 2020

Back in the Desert & Bringing Heat in the Studio: A Conversation with Emmy Wildwood

Bo Baskoro © 2020
Music, Music Videos, PremieresApril 2, 2020<April 1, 2020

Premiere: Bo Baskoro Returns to an Intimate Period of His Past on “Close Enough”

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

This Just In: The Rolling Stones Call It Quits

Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020

Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’

Future Nostalgia - Dua Lipa 9
Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020

Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’

Rachel Levin © Riker Brothers Photography
Columns, Interviews, Music, Today's SongMarch 30, 2020<March 30, 2020

Today’s Song: YouTuber Rachel Levin Launches Music Career with “Myself,” a Positive Anthem of Self-Acceptance

Riaz Ahmad © 2020
Debut, Music, ReviewsMarch 27, 2020<March 27, 2020

Review: Riaz Ahmad Proves a Glorious Singer & Affectionate Son on Debut EP ‘All at Sea’

Reva DeVito © 2020
Features, Interviews, MusicMarch 26, 2020<March 26, 2020

Interview with Reva DeVito: A Portland R&B Veteran Unveils Her Most Personal Music To-Date

Columns, Music, Today's SongMarch 26, 2020<March 26, 2020

Today’s Song: Welsh Sister Duo The Debutantes Razzle n’ Dazzle on “My Precious Love”

Love You Later
Features, Interviews, MusicMarch 24, 2020<March 24, 2020

Interview with Love You Later: A Dive into the Complexities of Emotion

Lastlings © 2020
Columns, Music, Today's SongMarch 19, 2020<March 21, 2020

Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks

The Allegory - Royce da 5'9" 7.5
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’

Interviews, MusicMarch 17, 2020<March 17, 2020

How to Break the Curse of the Black Orlov: A Conversation with JW Paris

Father of All Motherfuckers - Green Day album art 7.2
Music, Our Take, ReviewsMarch 3, 2020<December 15, 2020

Our Take: With ‘Father of All Motherfuckers’, the Middle-Aged Men of Green Day Prove They Are Still Young at Heart

Columns, Music, Today's SongMarch 2, 2020<March 2, 2020

Today’s Song: Aussies Willaris. K & Gordi Unite for a Startling Sonic Exploration of the “Indifferent” Mindset

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
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  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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