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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

This Just In: The Rolling Stones Call It Quits

Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020

Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’

Future Nostalgia - Dua Lipa 9
Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020

Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’

Rachel Levin © Riker Brothers Photography
Columns, Interviews, Music, Today's SongMarch 30, 2020<March 30, 2020

Today’s Song: YouTuber Rachel Levin Launches Music Career with “Myself,” a Positive Anthem of Self-Acceptance

Riaz Ahmad © 2020
Debut, Music, ReviewsMarch 27, 2020<March 27, 2020

Review: Riaz Ahmad Proves a Glorious Singer & Affectionate Son on Debut EP ‘All at Sea’

Reva DeVito © 2020
Features, Interviews, MusicMarch 26, 2020<March 26, 2020

Interview with Reva DeVito: A Portland R&B Veteran Unveils Her Most Personal Music To-Date

Columns, Music, Today's SongMarch 26, 2020<March 26, 2020

Today’s Song: Welsh Sister Duo The Debutantes Razzle n’ Dazzle on “My Precious Love”

Love You Later
Features, Interviews, MusicMarch 24, 2020<March 24, 2020

Interview with Love You Later: A Dive into the Complexities of Emotion

Lastlings © 2020
Columns, Music, Today's SongMarch 19, 2020<March 21, 2020

Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks

The Allegory - Royce da 5'9" 7.5
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’

Interviews, MusicMarch 17, 2020<March 17, 2020

How to Break the Curse of the Black Orlov: A Conversation with JW Paris

Father of All Motherfuckers - Green Day album art 7.2
Music, Our Take, ReviewsMarch 3, 2020<December 15, 2020

Our Take: With ‘Father of All Motherfuckers’, the Middle-Aged Men of Green Day Prove They Are Still Young at Heart

Columns, Music, Today's SongMarch 2, 2020<March 2, 2020

Today’s Song: Aussies Willaris. K & Gordi Unite for a Startling Sonic Exploration of the “Indifferent” Mindset

shYbeast's Devin Oliver
Debut, Interviews, MusicFebruary 21, 2020<February 21, 2020

Threading Rock, Electronica & Vulnerability Together: A Conversation with shYbeast

Glassio © Katelyn Kopenhaver
Interviews, MusicFebruary 11, 2020<March 13, 2020

Interview: Meet Glassio, an Artist Fueled by Melancholic & Halcyon Melodies

Posts pagination
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Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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