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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Love Sux - Avril Lavigne 7.7
Music, Our Take, ReviewsMarch 3, 2022<March 3, 2022

Album Review: ‘Love Sux,’ But Avril Lavigne Still Rox

Moonlight Shadow - W&W
Columns, Music, Today's SongMarch 2, 2022<March 31, 2023

Today’s Song: W&W Get Their ’80s Groove on with Futuristic Remix of “Moonlight Shadow”

riela © Daniel Sanjur
Interviews, MusicFebruary 24, 2022<February 23, 2022

From Rags to Riches to Wand Swishes: Riela Channels Tarot Magic Themes In New Trilogy of EPs

Blonde Maze © 2022
Interviews, MusicFebruary 7, 2022<February 7, 2022

Interview with Blonde Maze: ‘Something Familiar,’ Yet Also Wildly Innovative, Out From EDM Auteure

Christina Aguilera © Zoe Rain 8.5
Music, Our Take, ReviewsJanuary 28, 2022<January 28, 2022

Our Take: Christina Aguilera Makes a Triumphant Return to Latin Music with ‘La Fuerza’

Jimkata © 2021
Features, Interviews, MusicJanuary 26, 2022<January 26, 2022

Interview: 1 Track Per Month x 10 Months = A ‘Bonfires’ LP for Indie Rockers Jimkata

Magic - Nas 8.2
Music, Our Take, ReviewsJanuary 19, 2022<March 2, 2025

Our Take: Nas Has Plenty of ‘Magic’ Left to Spin on 15th LP

Dom Dolla & Mansionair © Jesse Lirola
Columns, Music, Today's SongDecember 6, 2021<December 6, 2021

Today’s Song: Dom Dolla and Mansionair Showcase the Finest of Australian EDM on “Strangers.”

Tony Romera © 2021
Interviews, MusicOctober 22, 2021<October 22, 2021

Interview with Tony Romera: A French EDM Artist Brimming with Character & ‘Introspection’

8
Music, Our TakeOctober 18, 2021<October 18, 2021

Our Take: “A Beginner’s Mind” and A Veteran Talent Enhance Sufjan Stevens and Angelo De Augustine’s Latest Effort

Columns, Music, Today's SongOctober 7, 2021<October 11, 2021

Today’s Song: iamnotshane’s Returns Happier Than Ever With “Don’t Say That.”

self-care - bad tuner
Debut, Interviews, MusicSeptember 27, 2021<September 29, 2021

Interview with bad tuner: A Brooklyn EDM Buff Practicing Proper ‘self-care’ on Debut EP

SHAED © Jared Zagha
Debut, Interviews, MusicSeptember 13, 2021<September 13, 2021

Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride

Kanye West at Donda listening party © 2021 7.5
Music, Our Take, ReviewsSeptember 8, 2021<September 8, 2021

Our Take: With ‘Donda,’ Kanye West Delivers a High Point in His Elder-Hip-Hop-Statesman Career Phase

Doja Cat © David LaChapelle 8.3
Music, Our Take, ReviewsJuly 20, 2021<July 14, 2021

Our Take: Doja Cat’s ‘Planet Her’ Is an Interstellar Mission Wholly Worth the While

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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