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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Magic - Nas 8.2
Music, Our Take, ReviewsJanuary 19, 2022<March 2, 2025

Our Take: Nas Has Plenty of ‘Magic’ Left to Spin on 15th LP

Dom Dolla & Mansionair © Jesse Lirola
Columns, Music, Today's SongDecember 6, 2021<December 6, 2021

Today’s Song: Dom Dolla and Mansionair Showcase the Finest of Australian EDM on “Strangers.”

Tony Romera © 2021
Interviews, MusicOctober 22, 2021<October 22, 2021

Interview with Tony Romera: A French EDM Artist Brimming with Character & ‘Introspection’

8
Music, Our TakeOctober 18, 2021<October 18, 2021

Our Take: “A Beginner’s Mind” and A Veteran Talent Enhance Sufjan Stevens and Angelo De Augustine’s Latest Effort

Columns, Music, Today's SongOctober 7, 2021<October 11, 2021

Today’s Song: iamnotshane’s Returns Happier Than Ever With “Don’t Say That.”

self-care - bad tuner
Debut, Interviews, MusicSeptember 27, 2021<September 29, 2021

Interview with bad tuner: A Brooklyn EDM Buff Practicing Proper ‘self-care’ on Debut EP

SHAED © Jared Zagha
Debut, Interviews, MusicSeptember 13, 2021<September 13, 2021

Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride

Kanye West at Donda listening party © 2021 7.5
Music, Our Take, ReviewsSeptember 8, 2021<September 8, 2021

Our Take: With ‘Donda,’ Kanye West Delivers a High Point in His Elder-Hip-Hop-Statesman Career Phase

Doja Cat © David LaChapelle 8.3
Music, Our Take, ReviewsJuly 20, 2021<July 14, 2021

Our Take: Doja Cat’s ‘Planet Her’ Is an Interstellar Mission Wholly Worth the While

JORDI - Maroon 5 7
Music, Our Take, ReviewsJune 24, 2021<June 23, 2021

Our Take: Maroon 5 Return with a Mostly Stellar Seventh Record on ‘JORDI’

Play With the Changes - Rochelle Jordan
Features, Interviews, MusicJune 22, 2021<June 21, 2021

Interview with Rochelle Jordan: A Toronto R&B Queen Re-Emerges in Stellar Style on ‘Play with the Changes’

Night Beats © Hamilton Boyce
Interviews, MusicJune 17, 2021<June 17, 2021

Interview: One-Man Band Night Beats Tests the Waters of ‘Outlaw R&B’ on Fifth LP

Interviews, MusicJune 15, 2021<June 15, 2021

Interview: Mat Zo Reflects on a Near-Decade of Transatlantic Electronica Production

John Splithoff © Lauren Jones
Debut, Interviews, MusicJune 11, 2021<June 11, 2021

Interview: John Splithoff Is ‘All In’ for His Next Career Phase As an LP-Maker

EXODUS 1:7 - DMX 7.5
Music, Our Take, ReviewsJune 10, 2021<June 10, 2021

Our Take: DMX Sounds His Final Bark on ‘EXODUS 1:7’

Posts pagination
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Recent Posts

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  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
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  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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