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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Vinyl Days - Logic 8
Music, Our Take, ReviewsJuly 6, 2022<July 2, 2022

Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’

Superpoze © François Quillacq
Interviews, MusicJuly 4, 2022<July 2, 2022

Piano, Philosophy, & Penmanship: A Conversation with French Artist Superpoze

Peach Tree Rascals © 2022
Columns, Music, Today's SongJune 15, 2022<June 15, 2022

Today’s Song: Peach Tree Rascals Offer Lots of “Good Advice” and Warmth on Latest Single

Mr. Morale & the Big Steppers - Kendrick Lamar © Renell Medrano 8.7
Music, Our Take, ReviewsMay 26, 2022<May 26, 2022

Our Take: Kendrick Lamar Emerges Gloriously from Hiatus on ‘Mr. Morale & the Big Steppers’

Pusha T © Def Jam Recordings 7.6
Music, Our Take, ReviewsMay 12, 2022<May 11, 2022

Our Take: Rapper Pusha T Scores Another Success with 4th LP ‘It’s Almost Dry’

Jon Waltz © Marcus Menefee
Music, ReviewsApril 21, 2022<April 21, 2022

EP Review: On ‘My Golden Horse,’ Jon Waltz Represents the Memphis R&B and Hip-Hop Scene with Equal Finesse

Hayden James © 2022
Interviews, MusicApril 14, 2022<April 13, 2022

Interview: A Conversation with Hayden James, an EDM Star Ready to Be ‘LIFTED’ to New Heights

Red Hot Chili Peppers © Clara Balzary 8.4
Music, Our Take, ReviewsApril 13, 2022<April 13, 2022

Our Take: ‘Unlimited Love’ Is a Funky and Upbeat Delight for the Retooled Red Hot Chili Peppers

Kinrose © Maliyah Grant
Debut, Music, ReviewsApril 1, 2022<April 1, 2022

Review: DC’s Kinrose Slides into Spring and Lets Hip-Hop Career Bloom with ‘Easygrowing’ EP

Love Sux - Avril Lavigne 7.7
Music, Our Take, ReviewsMarch 3, 2022<March 3, 2022

Album Review: ‘Love Sux,’ But Avril Lavigne Still Rox

Moonlight Shadow - W&W
Columns, Music, Today's SongMarch 2, 2022<March 31, 2023

Today’s Song: W&W Get Their ’80s Groove on with Futuristic Remix of “Moonlight Shadow”

riela © Daniel Sanjur
Interviews, MusicFebruary 24, 2022<February 23, 2022

From Rags to Riches to Wand Swishes: Riela Channels Tarot Magic Themes In New Trilogy of EPs

Blonde Maze © 2022
Interviews, MusicFebruary 7, 2022<February 7, 2022

Interview with Blonde Maze: ‘Something Familiar,’ Yet Also Wildly Innovative, Out From EDM Auteure

Christina Aguilera © Zoe Rain 8.5
Music, Our Take, ReviewsJanuary 28, 2022<January 28, 2022

Our Take: Christina Aguilera Makes a Triumphant Return to Latin Music with ‘La Fuerza’

Jimkata © 2021
Features, Interviews, MusicJanuary 26, 2022<January 26, 2022

Interview: 1 Track Per Month x 10 Months = A ‘Bonfires’ LP for Indie Rockers Jimkata

Posts pagination
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Recent Posts

  • “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” July 13, 2026
  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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