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Atwood Magazine's Weekly Roundup | April 29, 2022
Columns, Features, Music, Weekly RoundupApril 29, 2022<April 29, 2022

Atwood Magazine’s Weekly Roundup: April 29, 2022

Atwood Magazine's Weekly Roundup | April 22, 2022
Columns, Features, Music, Weekly RoundupApril 22, 2022<April 22, 2022

Atwood Magazine’s Weekly Roundup: April 22, 2022

Osees © Sophie Prettyman-Beauchamp
Festival, MusicApril 22, 2022<April 22, 2022

Gallery: Highlights of Treefort 10

Kim Gordon at Treefort 10 © Sophie Prettyman-Beauchamp
Festival, Music, ReviewsApril 19, 2022<April 22, 2022

Roundtable Discussion: Treefort 10 Was a Choose-Your-Own-Adventure Spectacular

Atwood Magazine's Weekly Roundup | April 15, 2022
Columns, Features, Music, Weekly RoundupApril 15, 2022<April 15, 2022

Atwood Magazine’s Weekly Roundup: April 15, 2022

Atwood Magazine's Weekly Roundup | April 1, 2022
Columns, Features, Music, Weekly RoundupApril 1, 2022<April 1, 2022

Atwood Magazine’s Weekly Roundup: April 1, 2022

Atwood Magazine's Weekly Roundup | March 25, 2022
Columns, Features, Music, Weekly RoundupMarch 25, 2022<March 25, 2022

Atwood Magazine’s Weekly Roundup: March 25, 2022

Treefort Music Fest 10 © Ben Niesen
Festival, Music, PreviewsMarch 23, 2022<March 23, 2022

10 Things to Look Forward to at Treefort 10

Atwood Magazine's Weekly Roundup | Women's History Month 2022
Columns, Features, Music, Weekly Roundup, Women's History MonthMarch 18, 2022<March 18, 2022

Atwood Magazine’s Weekly Roundup: Women’s History Month 2022

Atwood Magazine's Weekly Roundup | March 11, 2022
Columns, Features, Music, Weekly RoundupMarch 11, 2022<March 11, 2022

Atwood Magazine’s Weekly Roundup: March 11, 2022

Atwood Magazine's Weekly Roundup March 4, 2022
Columns, Features, Music, Weekly RoundupMarch 4, 2022<March 4, 2022

Atwood Magazine’s Weekly Roundup: March 4, 2022

Atwood Magazine's Weekly Roundup | February 25, 2022
Columns, Features, Music, Weekly RoundupFebruary 25, 2022<February 25, 2022

Atwood Magazine’s Weekly Roundup: February 25, 2022

Atwood Magazine's Weekly Roundup | February 18, 2022
Columns, Features, Music, Weekly RoundupFebruary 18, 2022<February 18, 2022

Atwood Magazine’s Weekly Roundup: Black History Month 2022

Atwood Magazine's Weekly Roundup | February 11, 2022
Columns, Features, Music, Weekly RoundupFebruary 11, 2022<February 11, 2022

Atwood Magazine’s Weekly Roundup: February 11, 2022

Atwood Magazine's Weekly Roundup | February 4, 2022
Columns, Features, Music, Weekly RoundupFebruary 4, 2022<February 4, 2022

Atwood Magazine’s Weekly Roundup: February 4, 2022

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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