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Lexi Lane

Lexi Lane

Hi! I’m Lexi. I’m 19. I’m an Aries, an INFP and I live in Brooklyn. I’m currently a sophomore in college double majoring in Journalism and Contemporary Music. I love writing about music, both my favorite artists and new ones I discover along the way. I also love writing songs, but was blessed with a lack of a decent singing voice so I dabble in production (sometimes). Basically, I dig every aspect of the music industry and am collecting knowledge from the different areas I work in the same way Thanos collects infinity stones. Usually found either at a show or at home typing away.

SAWAYAMA - Rina Sawayama 9
Debut, Music, Our Take, ReviewsApril 23, 2020<December 15, 2020

Our Take: Rina Sawayama’s Debut LP ‘SAWAYAMA’ Is the Epitome of Brilliant & Badass Hyperpop

BTS © 2020
Concerts, Music, ReviewsApril 21, 2020<April 20, 2020

Livestream Review: The Magnificent Draw of BTS’ BANG BANG CON

Mariposa - Felly
Features, Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Felly Focuses on New Album ‘Mariposa’ and Bigger Picture

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Ultimate Old-School Supergroup The Rolling Bon Bones Unites and Announces Tour

Lido © Michael Drummond
Music, ReviewsMarch 25, 2020<March 25, 2020

Lido’s “Postclubridehomemusic” Leads Listeners into Their Emotions with a Supersonic Comedown Track

Millie Turner © Amir Hossain
Music, Reviews, This Just InMarch 9, 2020<March 9, 2020

This Just In: Millie Turner Explores Dance Beats in New Single “Jungle”

The Frights is Mikey Carnevale (vocals/guitar), Richard Dotson (bass), Marc Finn (drums). and Jordan Clark (guitar). © Rowan Daly
Features, Interviews, Music, PremieresMarch 5, 2020<July 17, 2020

Samples, Sonnets, and the Surf-Punk Scene: A Conversation with The Frights

Chelsea Cutler live in New York City © Lexi Lane
Concerts, MusicMarch 3, 2020<March 2, 2020

Live Review: Chelsea Cutler Creates Magic Through Music at NYC’s Terminal 5

Taylor Swift © Valheria Rocha
Essays, Features, MusicFebruary 27, 2020<February 27, 2020

If I Was The Man, Then I’d Be The Man: An Essay Inspired by Taylor Swift

Phoebe Bridgers © Olof Grind
Music, Reviews, This Just InFebruary 26, 2020<March 6, 2020

This Just In: Phoebe Bridgers’ Mesmerizing New Single “Garden Song” Cuts Deep into Your Soul

The Strokes band 2020 © Jason McDonald
Music, Reviews, This Just InFebruary 21, 2020<February 21, 2020

This Just In: The Strokes’ Feverish New Song “Bad Decisions” Is Anything But One

Debut, Interviews, MusicFebruary 6, 2020<March 2, 2020

Interview: Chelsea Cutler Encapsulates Adulthood on New Album ‘How To Be Human’

Halsey © Aidan Cullen
Music, Reviews, This Just InDecember 13, 2019<December 13, 2019

This Just In: Halsey Displays Duality in New Songs “Finally // beautiful stranger” and “SUGA’s Interlude”

Maude Latour © Lola Lafia
Features, Interviews, MusicDecember 6, 2019<December 6, 2019

Interview: Maude Latour Talks New EP and Her University Life

Lolo Zouaï © Grant Spanier
Columns, Music, Today's SongDecember 3, 2019<December 2, 2019

Today’s Song: Lolo Zouaï Sparkles on “Money Diamonds Roses”

Posts pagination
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Recent Posts

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  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
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  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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