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Lexi Lane

Lexi Lane

Hi! I’m Lexi. I’m 19. I’m an Aries, an INFP and I live in Brooklyn. I’m currently a sophomore in college double majoring in Journalism and Contemporary Music. I love writing about music, both my favorite artists and new ones I discover along the way. I also love writing songs, but was blessed with a lack of a decent singing voice so I dabble in production (sometimes). Basically, I dig every aspect of the music industry and am collecting knowledge from the different areas I work in the same way Thanos collects infinity stones. Usually found either at a show or at home typing away.

SAWAYAMA - Rina Sawayama 9
Debut, Music, Our Take, ReviewsApril 23, 2020<December 15, 2020

Our Take: Rina Sawayama’s Debut LP ‘SAWAYAMA’ Is the Epitome of Brilliant & Badass Hyperpop

BTS © 2020
Concerts, Music, ReviewsApril 21, 2020<April 20, 2020

Livestream Review: The Magnificent Draw of BTS’ BANG BANG CON

Mariposa - Felly
Features, Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Felly Focuses on New Album ‘Mariposa’ and Bigger Picture

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Ultimate Old-School Supergroup The Rolling Bon Bones Unites and Announces Tour

Lido © Michael Drummond
Music, ReviewsMarch 25, 2020<March 25, 2020

Lido’s “Postclubridehomemusic” Leads Listeners into Their Emotions with a Supersonic Comedown Track

Millie Turner © Amir Hossain
Music, Reviews, This Just InMarch 9, 2020<March 9, 2020

This Just In: Millie Turner Explores Dance Beats in New Single “Jungle”

The Frights is Mikey Carnevale (vocals/guitar), Richard Dotson (bass), Marc Finn (drums). and Jordan Clark (guitar). © Rowan Daly
Features, Interviews, Music, PremieresMarch 5, 2020<July 17, 2020

Samples, Sonnets, and the Surf-Punk Scene: A Conversation with The Frights

Chelsea Cutler live in New York City © Lexi Lane
Concerts, MusicMarch 3, 2020<March 2, 2020

Live Review: Chelsea Cutler Creates Magic Through Music at NYC’s Terminal 5

Taylor Swift © Valheria Rocha
Essays, Features, MusicFebruary 27, 2020<February 27, 2020

If I Was The Man, Then I’d Be The Man: An Essay Inspired by Taylor Swift

Phoebe Bridgers © Olof Grind
Music, Reviews, This Just InFebruary 26, 2020<March 6, 2020

This Just In: Phoebe Bridgers’ Mesmerizing New Single “Garden Song” Cuts Deep into Your Soul

The Strokes band 2020 © Jason McDonald
Music, Reviews, This Just InFebruary 21, 2020<February 21, 2020

This Just In: The Strokes’ Feverish New Song “Bad Decisions” Is Anything But One

Debut, Interviews, MusicFebruary 6, 2020<March 2, 2020

Interview: Chelsea Cutler Encapsulates Adulthood on New Album ‘How To Be Human’

Halsey © Aidan Cullen
Music, Reviews, This Just InDecember 13, 2019<December 13, 2019

This Just In: Halsey Displays Duality in New Songs “Finally // beautiful stranger” and “SUGA’s Interlude”

Maude Latour © Lola Lafia
Features, Interviews, MusicDecember 6, 2019<December 6, 2019

Interview: Maude Latour Talks New EP and Her University Life

Lolo Zouaï © Grant Spanier
Columns, Music, Today's SongDecember 3, 2019<December 2, 2019

Today’s Song: Lolo Zouaï Sparkles on “Money Diamonds Roses”

Posts pagination
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Recent Posts

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  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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