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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Dominique © Joshua Shultz
Debut, Interviews, Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Dominique Inspires with Refreshing, Raw Debut “Convince You”

Casey Dubie © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Casey Dubie’s Moving “Confetti” Cherishes Fleeting Love

Casey Lowry © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Revel in “Blank Face,” Casey Lowry’s Catchy Communication Breakdown

Jong SL © Cameron Rollins
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Bittersweet, Haunting Pull of Jong SL’s “Driving Away”

The Brevet © Pete Black
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Rock Out to the The Brevet’s Intoxicating “Gateway Drug”

Lindsay Kay © Anastasia Lebedeva
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: A Moving Ritual in Lindsay Kay’s “Sunday,” a Somber Search for Faith

Megan Bonnell © Jen Squires
Music, Music Videos, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Megan Bonnell Dazzles with Love & Grief in “Your Voice”

The Britanys © Sophia Ragomo
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: The Britanys’ Raw & Lonely Helpline, “I Don’t Know How to Be Alone”

Ain't My Scene - JD Eicher
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: You’ll Fit in at JD Eicher’s Pool Party, “Ain’t My Scene”

Jublio Drive © Rayana Chumthong
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: EXTRA! EXTRA! Stream Jubilo Drive’s “All U Can Eat” NOW!

Nobody's Home Art d'Ecco 2018
Music, Music Videos, PremieresSeptember 6, 2018<September 6, 2018

Premiere: See & Be Seen in Art D’Ecco’s Magically Indulgent “Nobody’s Home”

Trevor James Tillery © Cobey Arner
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: The Dark Allure of Trevor James Tillery’s “Resolve (In Cold Blood)”

Seafret © 2018
Features, Interviews, Music, Premieres, ReviewsSeptember 6, 2018<September 6, 2018

Premiere: The Beautiful, Raw Depths of Seafret’s Monsters EP

Just Seconds Apart © Zee Peralta
Music, PremieresSeptember 5, 2018<October 3, 2018

Premiere: Just Seconds Apart Erupt with Catchy & Intimate “Good to Know”

Tomten © A Francis Vilendrer
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: Turning Over Tomten’s Rollicking “New Leaf”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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