August 25, 2020<August 25, 2020 Review: Thank You, I’m Sorry Spill Their Guts on ‘I’m Glad We’re Friends’ by James Crowley
August 25, 2020<October 27, 2020 The Sophomore Series: Alabama Shakes’ ‘Sound & Color’ & Baby Keem’s ‘Die For My Bitch’ by Leo Culp
August 25, 2020<August 25, 2020 Today’s Song: Jorja Smith Sings Fortitude to Life On “By Any Means” by Erica Danielle Garcia
August 24, 2020<August 24, 2020 Today’s Song: Get in Sync with The Hunting Birds’ Irresistible Anthem “Catch Up” by Mitch Mosk
August 21, 2020<August 21, 2020 Atwood Magazine’s Weekly Roundup: August 21, 2020 by Atwood Magazine Staff
August 20, 2020<September 4, 2020 This Just In: Palmas Welcome the Novelty of the Unknown in “Holy Ground” by Maggie McHale
August 20, 2020<August 19, 2020 Breaking the Record with Roan Yellowthorn, Part 28: Alanis Morissette by Guest Writer
August 20, 2020<August 20, 2020 Artist to Watch: Bleach Lab’s Third Single “Sleep” is a Hypnotic, Raw & Visceral Dream by Mitch Mosk
August 19, 2020<August 19, 2020 Today’s Song: The Poetry within the Dreaminess & Simplicity of Taxi 404’s “2047” by Frankie Rose
August 17, 2020<August 17, 2020 Today’s Song: METZ Give Us Hope and a Place to Recharge on the Mighty “A Boat To Drown In” by Oliver Crook
August 14, 2020<August 14, 2020 Today’s Song: Marie Naffah’s “The Cage” Offers a Summery Tune to Groove To by Adrian Vargas
August 14, 2020<August 14, 2020 Atwood Magazine’s Weekly Roundup: August 14, 2020 by Atwood Magazine Staff
August 13, 2020<August 13, 2020 Today’s Song: Juice WRLD Would’ve Been a Pop-Punk Prince with “Come & Go” by James Crowley
August 13, 2020<August 13, 2020 Breaking the Record with Roan Yellowthorn, Part 27: Going Indie by Mitch Mosk
August 12, 2020<August 11, 2020 A Casual Ramble: GUM’s ‘Out in the World’ & Psychedelic Redundance by Ben Niesen
For the Love of Music
For the Love of Music
