January 28, 2019<January 25, 2019 Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians” by Hermione Kellow
January 25, 2019<January 30, 2019 Atwood Magazine’s Weekly Roundup: January 25, 2019 by Atwood Magazine Staff
January 25, 2019<February 1, 2019 Today’s Song: Birch’s Hopeful, Empowered Protest “Spelling Lessons” by Carolyn Fasone
January 24, 2019<May 14, 2024 Today’s Song: D’Angelo’s “Unshaken” is the Guarded Knock on a Hidden Door by Ilana Kalish
January 24, 2019<January 24, 2019 Music You Should Know: Ta-ku’s ‘25 Nights for Nujabes’ Is an Emotive, Harmonious Ode to a Lost Talent by Adrian Vargas
January 23, 2019<January 23, 2019 Premiere: Hopes, Dreams, and Strawberries in Raquel Bell’s Waltz “Who Gets to Name the Name” by Mitch Mosk
January 23, 2019<January 23, 2019 Today’s Song: Gary Clark Jr. Raises His Fist and His Voice on “This Land” by Oliver Crook
January 22, 2019<January 22, 2019 Today’s Song: The Thrills and Pills of Say Anything’s “Pink Snot” by James Crowley
January 21, 2019<January 21, 2019 Today’s Song: Rhys Lewis’ “Better Than Today” Finds Reassurance in the Whirlwind of Life by Luke Pettican
January 18, 2019<January 18, 2019 Atwood Magazine’s Weekly Roundup: January 18, 2019 by Atwood Magazine Staff
January 18, 2019<January 17, 2019 Today’s Song: Sam Wilde Finds Solace in Bewilderment with “On the Run” by Luke Pettican
January 17, 2019<January 17, 2019 From Lolita to Sylvia Plath, Lana Del Rey Reinvents Herself in “Hope Is a Dangerous Thing…” by Ditta Demeter
January 16, 2019<January 16, 2019 Today’s Song: Anger and Regret Meet Explosively in Black Pistol Fire’s “Level” by Oliver Crook
For the Love of Music
For the Love of Music
