March 26, 2020<March 26, 2020 Today’s Song: Welsh Sister Duo The Debutantes Razzle n’ Dazzle on “My Precious Love” by Josh Weiner
March 25, 2020<March 26, 2020 Today’s Song: The Elevated DIY Magic of Alice Phoebe Lou’s “Witches” by Frankie Rose
March 24, 2020<March 26, 2020 Today’s Song: Pip Millett’s “June” Warms Us With Nostalgia for a Simpler Time by Baylee Less
March 23, 2020<March 26, 2020 Today’s Song: Peco’s Timely & Relevant “Some Folk” Is a Call for Empathy by Kelly McCafferty Dorogy
March 21, 2020<March 21, 2020 Atwood Magazine’s Weekly Roundup: March 21, 2020 by Atwood Magazine Staff
March 20, 2020<March 20, 2020 Artist to Watch: Holly Humberstone’s Second Single “Falling Asleep at the Wheel” Is a Hauntingly Intimate Upheaval by Mitch Mosk
March 19, 2020<March 19, 2020 Premiere: JST FRNDS’ Aching “Long Nights” Is an Intimate Anthem for Social Distancing Times by Mitch Mosk
March 19, 2020<March 21, 2020 Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks by Josh Weiner
March 19, 2020<March 16, 2020 Breaking the Record with Roan Yellowthorn, Part 7: Mastering & More by Guest Writer
March 18, 2020<March 18, 2020 Today’s Song: Cabane’s Brilliantly Unique “Tu ne Joueras Plus à L’amour” (ft. Bonnie “Prince” Billy) by Kelly McCafferty Dorogy
March 17, 2020<March 17, 2020 Today’s Song: Manchester’s Big Society Encourage Youthful Exploration on New Single “Feel” by Bethan Harper
March 16, 2020<March 16, 2020 Today’s Song: Hannah Georgas Dares to Be Vulnerable in Latest Single “That Emotion” by Erica Danielle Garcia
March 13, 2020<May 15, 2020 Atwood Magazine’s Weekly Roundup: March 13, 2020 by Atwood Magazine Staff
March 13, 2020<March 12, 2020 Today’s Song: Curren$y & Fendi P Epitomize Loyalty and Swagger on “Strategize” by Ryan Feyre