December 21, 2018<December 20, 2018 Today’s Song: Freedom & Loss in Janelle Monáe’s “Crazy, Classic, Life” by Danny Vagnoni
December 20, 2018<January 16, 2019 Atwood Magazine Presents: Mistletones, Pt. II by Atwood Magazine Staff
December 19, 2018<December 19, 2018 Today’s Song: OLIVIA’s Assured and Exciting Debut “Reason to Stay” by Hermione Kellow
December 17, 2018<December 17, 2018 Today’s Song: Sody’s Compelling “Let You Know” Radiates Empowerment by Luke Pettican
December 14, 2018<January 16, 2019 Atwood Magazine’s Weekly Roundup: Spotify Wrapped 2018! by Atwood Magazine Staff
December 14, 2018<December 20, 2018 Mistletones: The Raw, Pained Passion of C. SHIROCK’s “First Snow” by Mitch Mosk
December 14, 2018<December 14, 2018 Today’s Song: Healing is a Tempo Change for Snail Mail’s “Heat Wave” by Ben Niesen
December 13, 2018<December 20, 2018 Mistletones: Camp Crush Bring Holiday Magic to “Winter’s Dream” by Mitch Mosk
December 13, 2018<January 16, 2019 Atwood Magazine Presents: Mistletones, Pt. I by Atwood Magazine Staff
December 13, 2018<December 12, 2018 Today’s Song: French for Rabbits Explore New Heights with “Highest Hill” by Frankie Rose
December 12, 2018<December 20, 2018 Premiere: FERGUS’ Hauntingly Tender “Strangers in the Night” Will Take Your Breath Away by Mitch Mosk
December 12, 2018<December 12, 2018 Today’s Song: JP Saxe Reimagines the Breakup Anthem with “25 in Barcelona” by Luke Pettican
December 11, 2018<December 20, 2018 Mistletones: End-of-Year Euphoria Courtesy of Whyte Horses’ Christmas Song “Next Year Will Be Mine” by Frankie Rose
December 11, 2018<December 9, 2018 Today’s Song: Matt Mays Reinvents Himself with Haunting “Howl at the Night” Acoustic Version by Oliver Crook
For the Love of Music
For the Love of Music
