8.9 May 19, 2020<December 15, 2020 Our Take: My Ugly Clementine’s Debut Album ‘Vitamin C’ Is Empowering, Fresh-Squeezed Indie Rock by Mitch Mosk
May 19, 2020<May 18, 2020 Premiere: James Gillespie’s “Rescue Me” Music Video Is As Atmospheric As It Is Mysterious by Bethan Harper
May 18, 2020<May 19, 2020 Review: tri patterns’ Double Single “Kids” / “Grow” Is a Buoyant Indie Pop Light in the Dark by Mitch Mosk
9.3 May 18, 2020<December 15, 2020 Our Take: J.R. Wyatt’s ‘I’m Still Here’ Sits on the Divide of Past & Present with Unmatched Lyricism by Lowndes Commander
May 18, 2020<May 18, 2020 Album Review: Moses Sumney’s Beautiful, Multitudinous ‘græ’ by Mariel Fechik
May 18, 2020<May 18, 2020 Premiere: Boyish’s “FUCK YOU HEATHER” Is a Stunning, Raw, & Impassioned Upheaval by Mitch Mosk
May 18, 2020<May 18, 2020 Dream Hunting in the Valley of the In-Between: An Interview with Man Man by Josh Weiner
May 18, 2020<May 18, 2020 EP Premiere: DoomFolk StarterKit’s ‘SleepyGhost’ Is a Beautiful Result of Creating Within Time Constraints by Lowndes Commander
May 18, 2020<May 18, 2020 Today’s Song: FLOOR CRY and Vansire’s “Next Best Thing” Is Here by Madison Vettorino
May 17, 2020<May 17, 2020 Today’s Song: “Nevermind” Proves an Emotionally Raw, Vocally Alluring Number for NAWAS by Josh Weiner
May 15, 2020<May 15, 2020 Ryan Montbleau Gets Personal About His Strong Connection with Tall Heights & Deep Love for Music by Chloe Robinson
8.3 May 15, 2020<December 15, 2020 Our Take: ‘It Is What It Is’ Finds a Grieving Thundercat at the Height of his Craft by Josh Weiner
May 15, 2020<May 15, 2020 Feature: Charlotte OC’s ‘Oh the Agony, Oh the Ecstasy’ EP Is a Passionate, Soulful Surrender by Mitch Mosk
May 15, 2020<May 15, 2020 This Just In: Maisie Peters’ Melodically Blissful Self-Love Anthem, “The List” by Kelly McCafferty Dorogy