April 4, 2020<July 10, 2020 Interview: Nikki Yanofsky Pays Homage to an Icon with the Groovy “Nerve” by Francesca Rose
April 3, 2020<April 3, 2020 Premiere: FVLCRVM’s Intoxicating & Cerebral “Meaning” Is an Electronic Force by Mitch Mosk
April 3, 2020<April 3, 2020 This Just In: NoMBe’s Beautiful “Weirdo” Is a Heartfelt, Seductive Ballad by Mitch Mosk
April 3, 2020<April 3, 2020 Interview with Phoebe Ryan: “There must be more to art than this.” by Christine Costello
April 3, 2020<May 15, 2020 Roundtable Discussion: A Review of Dua Lipa’s ‘Future Nostalgia’ by Atwood Magazine Staff
April 3, 2020<April 1, 2020 Today’s Song: Lemondrop’s Youthful & Exciting Groove on “Strawberry Wine” by Lowndes Commander
April 3, 2020<May 15, 2020 Finding Connection in Isolation: Overcoats’ Hopeful & Empowering Album ‘The Fight’ by Mitch Mosk
April 2, 2020<April 6, 2020 Feature: Dive into William Wild’s Breathtakingly Beautiful, Transformative Album ‘Push Ups’ by Mitch Mosk
April 2, 2020<April 2, 2020 Premiere: Brighton’s Twilight Driving Return with Cinematic Anthem “Break Your Heart” by Mitch Mosk
April 2, 2020<April 1, 2020 Premiere: Bo Baskoro Returns to an Intimate Period of His Past on “Close Enough” by Josh Weiner
April 2, 2020<April 2, 2020 Interview with Dan Croll: Removing the Safety Net and Settling In by Maggie McHale
8.3 April 2, 2020<December 15, 2020 Our Take: Little Dragon’s ‘New Me, Same Us’ Is a Sublime Evolution by Danny Vagnoni
April 2, 2020<April 2, 2020 Today’s Song: Lithics Keep It Catchy, Minimal, & Disjointed on New Single “Hands” by Nick Matthopoulos
April 2, 2020<April 8, 2020 Breaking the Record with Roan Yellowthorn, Part 9: Artwork by Guest Writer
April 2, 2020<March 31, 2020 This Just In: Luz Astounds with the Devastatingly Beautiful “i’m lonely” by Luke Pettican