June 27, 2019<July 24, 2019 Billie Marten and Sonny Santos Reinterpret “swear 2 g-d,” a Sweet Lullaby for the Not So Young by Alicia Bugallo
June 26, 2019<March 26, 2024 Premiere: Hayden Everett Marks His Turning Point in Hypnotic Debut “Color” by Mitch Mosk
June 26, 2019<June 26, 2019 Review: Julien Baker’s Modern Gospel in “Red Door / Conversation Piece” by James Meadows
June 26, 2019<June 26, 2019 Premiere: Hypnotized by Simple Pleasures with The Parlor’s “Dream” by Frankie Rose
June 26, 2019<June 26, 2019 Live Review: Kim Petras Throws the Perfect Pride Party at Philadelphia’s TLA by Nicole Almeida
June 26, 2019<June 26, 2019 Premiere: Tackling the Barriers of Language with Sywel Nyw’s Debut Single “Jumping Fences” by Matthew Dunn
June 26, 2019<June 26, 2019 Review: Prince Daddy & The Hyena Explore the Galaxy and Existence in ‘Cosmic Thrill Seekers’ by James Crowley
June 26, 2019<June 26, 2019 Today’s Song: Meija is Pushing “Buttons” and Boundaries with Newest Single by Adrian Vargas
June 25, 2019<June 26, 2019 Review: Emotional Oranges – A Spiel on the Toronto Sound of ‘The Juice, Vol 1’ by Ben Niesen
June 25, 2019<April 30, 2023 Podcast: Tunes & Tumblers Drinks in Kacey Musgraves’ “Golden Hour” by Anthony Kozlowski
June 25, 2019<June 25, 2019 Today’s Song: Bad Books Provide a Return to Form with “I Love You, I’m Sorry, Please Help Me, Thank You” by Oliver Crook
June 24, 2019<June 24, 2019 Album Premiere: The Local Strangers Dive into Their Arresting ‘When We Were Honest’ by Mitch Mosk
June 24, 2019<June 24, 2019 Premiere: Reclaim Yourself with Victoria Victoria’s “Sanctuary” by Mitch Mosk
For the Love of Music
For the Love of Music
