March 17, 2020<March 17, 2020 Today’s Song: Manchester’s Big Society Encourage Youthful Exploration on New Single “Feel” by Bethan Harper
8.1 March 17, 2020<December 15, 2020 Sam Lee’s “Old Wow” Is Rooted in the Past, Yet Its Ecological Message Is Relevant and Tender by Tim Horwood
March 16, 2020<March 16, 2020 Premiere: Fiction Non Fiction’s Sunny “Be There Shine” Is a Loving Embrace by Mitch Mosk
March 16, 2020<March 16, 2020 Interview: The World of Louis Prince Comes to Life on Debut Album ‘Thirteen’ by Lowndes Commander
March 16, 2020<March 16, 2020 Interview: Yumi Zouma Tackle the Complexity of Life in 3rd Album ‘Truth or Consequences’ by Caitlin Ison
March 16, 2020<March 16, 2020 Premiere: “Drifter” Offers a Melodic Road Trip with Jack Sledge by Kelly McCafferty Dorogy
March 16, 2020<March 16, 2020 Today’s Song: Hannah Georgas Dares to Be Vulnerable in Latest Single “That Emotion” by Erica Danielle Garcia
March 13, 2020<May 15, 2020 Atwood Magazine’s Weekly Roundup: March 13, 2020 by Atwood Magazine Staff
March 13, 2020<March 13, 2020 Premiere: William Wild Haunts on the Intimate & Immediate “Rental House” off New Album ‘Push Ups’ by Mitch Mosk
March 13, 2020<March 13, 2020 Ever-Evolving, Figuring Things Out, and Reaching ‘Something Better’: A Conversation with Loose Buttons by Maggie McHale
March 13, 2020<March 13, 2020 Escapist Music from an Evocative Vibe: Magdalena Bay Discuss EP ‘A Little Rhythm and a Wicked Feeling’ by Jesse Herb
March 13, 2020<March 12, 2020 Review: Jenny Dee Dazzles with Debut Album ‘Dancing from a Distance’ by Kelly McCafferty Dorogy
March 13, 2020<March 12, 2020 Today’s Song: Curren$y & Fendi P Epitomize Loyalty and Swagger on “Strategize” by Ryan Feyre
March 12, 2020<April 16, 2020 Review: Aoife O’Donovan’s Stunning, Poetic EP, ‘Bull Frogs Croon (And Other Songs)’ by Mariel Fechik
March 12, 2020<March 12, 2020 Premiere: The Subtle Brilliance of Gatlin’s “I Think About You All The Time” by Baylee Less
For the Love of Music
For the Love of Music
