May 30, 2019<May 30, 2019 Our Take: Catfish and the Bottlemen Have Found Their Success Formula, and Stick to It on ‘The Balance’ by Alicia Bugallo
May 30, 2019<May 31, 2019 Premiere: Nora Rothman Shines in the Rain with Dreamy Folk-Pop Single “fifteen / feet” by Nick Baron
May 30, 2019<May 30, 2019 Ruminations in the Abyss: A Look Back On The Cure’s ‘Disintegration’ Thirty Years On by Kareem Ghezawi
May 29, 2019<July 3, 2019 EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens by Atwood Magazine Staff
May 29, 2019<April 16, 2020 Album Premiere: Blossom Shares Restless Nights and Fever Dreams on ‘Maybe’ by Anthony Kozlowski
May 29, 2019<May 29, 2019 Premiere: Amelie Patterson’s “The Patient Kind” Is a Sparkly Encapsulation of Fate by Frankie Rose
May 28, 2019<May 28, 2019 Review: Amyl and The Sniffers’ Self-Titled Debut Album is a Punk Masterpiece by Danielle Chelosky
May 28, 2019<May 28, 2019 Interview: Meet SPRINTS, The Band With A Plan To Have All Your Friends Talking About Them by Oliver Crook
May 28, 2019<June 5, 2019 Today’s Song: Christian Lee Hutson’s “Northsiders” Exemplifies a Classic Kind of Storytelling by Frankie Rose
May 24, 2019<May 24, 2019 Interview: Broken Back’s Dire “Wake Up” Call Sparks Life Anew by Mitch Mosk
May 24, 2019<May 24, 2019 Our Take: Freedom Reigns in The Royal Concept’s Triumphant ‘The Man Without Qualities’ by Mitch Mosk
May 24, 2019<May 24, 2019 Trudy and the Romance Provide Jukebox Jams for the 21st Century with Debut Album ‘Sandman’ by Adrian Vargas
For the Love of Music
For the Love of Music
