March 2, 2020<March 2, 2020 Premiere: Redefining Yourself with Dancing on Tables’ “Not to Need You” by Nina Schaarschmidt
March 2, 2020<March 2, 2020 Premiere: Melody Federer Unravels Trapped Feelings in New Single “This Town” by Erica Danielle Garcia
March 2, 2020<March 2, 2020 Today’s Song: Aussies Willaris. K & Gordi Unite for a Startling Sonic Exploration of the “Indifferent” Mindset by Josh Weiner
February 28, 2020<February 28, 2020 Atwood Magazine’s Weekly Roundup: February 28, 2020 by Atwood Magazine Staff
February 28, 2020<March 6, 2020 Interview: Brooklyn Duo Overcoats Ignite with an Urgent and Irresistible “Fire & Fury” by Mitch Mosk
February 28, 2020<February 28, 2020 Singer/Songwriter Swan Levitt Returns with Stunningly Visceral Song “Cameo” by Mitch Mosk
February 28, 2020<April 30, 2023 Podcast: Tunes & Tumblers Learn Their “Love Language” with Chandler Juliet by Anthony Kozlowski
8.1 February 28, 2020<December 15, 2020 Our Take: otta’s ‘after it all blew over’ Is a Smart & Captivating Debut EP by Tim Horwood
February 28, 2020<February 28, 2020 Review: Big Thief’s ‘Two Hands’ is a Raw, Authentic, and Earthy Experience by Nina Schaarschmidt
February 28, 2020<February 28, 2020 A Conduit for Codifying Honesty: A Conversation with R.LUM.R by Maggie McHale
February 28, 2020<February 28, 2020 Today’s Song: Emotional Oranges Quench Your Morning Thirst with “Sundays” by Kelsey Fitzgerald
February 27, 2020<March 16, 2021 Feature: Chaos, Hope, and EDEN’s Intimate 2nd Album ‘no future’ by Dalia
February 27, 2020<February 27, 2020 Making the Most Out of ‘The Drama’: A Conversation with Cailin Russo by Nicole Almeida
February 27, 2020<February 27, 2020 Premiere: Heartracer’s Pulsing Power-Ballad “Darling” Conveys a Universal Truth by Mitch Mosk
February 27, 2020<February 27, 2020 Album Premiere: Grant Earl LaValley’s ‘A Brighter Day’ Is a Haunting Celebration of Psychedelic Sound by Chloe Robinson
For the Love of Music
For the Love of Music
