October 25, 2019<October 25, 2019 The 1975 Address Social Anxiety on New Single “Frail State of Mind” by Madison Vettorino
October 21, 2019<October 21, 2019 Live Review: Marika Hackman Wields Undeniable Power and Confidence at Philly’s Boot & Saddle by Nicole Almeida
October 17, 2019<October 17, 2019 Live Review: Philadelphia’s TLA Fully Endorses Lewis Capaldi as America’s Next Sweetheart by Nicole Almeida
October 16, 2019<October 16, 2019 Review: Minor Pieces Weave Intimate Avant-Folk Beauty into Stirring Debut Album ‘The Heavy Steps of Dreaming’ by Mitch Mosk
October 15, 2019<October 15, 2019 Review: Terrell Hines’ Debut EP ‘St. Mark Rd.’ Is an Ingeniously Inventive Delight by Luke Pettican
October 14, 2019<July 1, 2020 Leah Capelle Dives into the Aching Pop Polish of “know me better” by Mitch Mosk
October 14, 2019<October 11, 2019 BATS’ ‘Alter Nature’ Is the Mind-Opening Record the World Needs Right Now by Oliver Crook
October 9, 2019<October 9, 2019 Live Review: Philadelphia’s The Foundry Watches in Awe as MUNA Save the World by Nicole Almeida
October 4, 2019<October 4, 2019 Review: Blood Harmony is FINNEAS’ Immaculate First Step into His Cinematic, Beautiful World by Nicole Almeida
October 4, 2019<October 4, 2019 Review: The Menzingers Take on Existential Worries in ‘Hello Exile’ by James Crowley
October 3, 2019<October 3, 2019 Fragility, Nuance, & Grace: A Review of Paper Beat Scissors’ Dazzling ‘Parallel Line’ by Mitch Mosk
October 3, 2019<October 3, 2019 Review: A Common Thread of Folk & Soul Make KTG’s ‘Searching for Magpies’ by Kelly McCafferty Dorogy
October 1, 2019<October 1, 2019 The Contrasting Narratives of Bleakness & Charm: A Conversation with The Golden Dregs by Adrian Vargas
10 October 1, 2019<December 15, 2020 Our Take: Foy Vance’s ‘To Memphis’ Is the Record for Your Soul by Erica Danielle Garcia
For the Love of Music
For the Love of Music
