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Whiskey Flower © Kate Russell
Interviews, MusicApril 14, 2026<April 14, 2026

Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’

by Chloe Robinson
Victoryland's Julian McCamman © Meg Ha
Debut, Features, Interviews, MusicApril 14, 2026<April 14, 2026

All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity

by Jonah Evans
Hannah Hausman & Guthrie Galileo © Dillon Tanner
Interviews, MusicApril 14, 2026<April 14, 2026

“You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’

by Aileen Goos
Park Hills Circle © Maren Celest
Interviews, Music, PremieresApril 14, 2026<April 14, 2026

“A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie

by Mitch Mosk
SAULT © 2026
Columns, Music, Today's SongApril 14, 2026<April 14, 2026

“I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure”

by Isabella Appell
Avery Cochrane © Aaron Sinclair
Debut, Features, Interviews, MusicApril 13, 2026<April 13, 2026

Avery Cochrane Is Singing Dispatches From a Dying Empire

by Kelsey Ferrell
The Wonder Years' Dan Campbell © Jacob Moniz
Features, Interviews, MusicApril 13, 2026<April 15, 2026

Cardinals & Saints: The Wonder Years Talk 10 Years of ‘No Closer to Heaven’

by James Crowley
Blood Orange © Vinca Petersen
Columns, Music, Today's SongApril 13, 2026<April 13, 2026

Today’s Song: Blood Orange Sees the “Vivid Light” with a Moody, Seductive Sunset Reverie

by Julia Dzurillay
Kevin Morby "Die Young" © Chantal Anderson
Columns, Music, Today's SongApril 12, 2026<April 11, 2026

“Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie

by Ashley Littlefield
Suki Waterhouse "Back in Love" © Miles Aldridge
Columns, Music, Today's SongApril 11, 2026<April 11, 2026

“I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”

by Danielle Holian
Atwood Magazine's 152nd Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 10, 2026<April 10, 2026

Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!

by Mitch Mosk
Mitski © Lexie Alley
Features, Music, Reviews, RoundtableApril 10, 2026<April 10, 2026

Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’

by Atwood Magazine Staff
Andrea Bejar "Delicately" © Summer Schantz
Columns, Music, Today's SongApril 10, 2026<April 10, 2026

“You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”

by Yashavi Upasani
Atwood Magazine's Weekly Roundup | April 10, 2026
Columns, Features, Music, Weekly RoundupApril 10, 2026<April 10, 2026

Atwood Magazine’s Weekly Roundup: April 10, 2026

by Atwood Magazine Staff
Grandmas House © Marie Dutton
Interviews, MusicApril 9, 2026<April 9, 2026

“We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

by Marissa DeLeon
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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