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Nick Folwarczny © William Wark
Columns, Music, Today's SongApril 22, 2024<April 22, 2024

Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache

by Mitch Mosk
BANNERS © Marieke Macklon
Features, Interviews, Music, Track-by-TrackApril 22, 2024<April 22, 2024

‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming

by Lauren Turner
Only God Was Above Us - Vampire Weekend
Features, Music, Reviews, RoundtableApril 22, 2024<June 29, 2024

Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’

by Atwood Magazine Staff
Care - Golda May
Columns, Music, Today's SongApril 21, 2024<April 17, 2024

Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound

by Danielle Furman
Laci Kaye Booth © Acacia Evans
Columns, Music, Today's SongApril 20, 2024<April 17, 2024

“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes”

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | April 19, 2024
Columns, Features, Music, Weekly RoundupApril 19, 2024<April 22, 2024

Atwood Magazine’s Weekly Roundup: April 19, 2024

by Atwood Magazine Staff
Rex and the Rhythm © LOUD 87
Columns, Music, Today's SongApril 19, 2024<April 19, 2024

Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound

by Chloe Robinson
Asha Jefferies © Jax Oliver
Debut, Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’

by Mitch Mosk
Ellie Irwin © @sikinunday
Features, Interviews, MusicApril 19, 2024<April 19, 2024

Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down”

by Sophie Severs
Charli XCX © 2024 8.1
Music, Our Take, Reviews, This Just InApril 19, 2024<April 19, 2024

Charli XCX Embodies (House) Party Girl Vibes With “Club Classics”

by Julia Dzurillay
Pillow Queens © Martyna Bannister
Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie

by Mitch Mosk
Hank Heaven © Danica Robinson
Columns, Music, Today's SongApril 18, 2024<April 18, 2024

“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang

by Mitch Mosk
Great Good Fine Ok © Shervin Lainez
Interviews, MusicApril 18, 2024<April 20, 2024

Interview: Jon Sandler & Luke Moellman Are in a State of Existence That’s Great Good Fine Ok With Them

by Blake McMillan
Essence Martins © Lorraine Khamali
Debut, Features, Interviews, Music, Music VideosApril 18, 2024<April 18, 2024

‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP

by Mitch Mosk
Cat Ryan © Will Copley
Debut, Features, Interviews, Music, Track-by-TrackApril 18, 2024<April 18, 2024

Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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