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Eden Rain © Jack Alexander
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: London’s Eden Rain Pours Her Heart & Soul into Sophomore EP ‘But I’m Alright Now’

by Mitch Mosk
Luke Beling © Jorge Luis Bonilla
Debut, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: Luke Beling Unpacks the Tension, Pain, & Hope of Debut Album ‘A Stone in the Mouth of the Ocean’

by Mitch Mosk
Coyle Girelli © Shervin Lainez
Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 11, 2023

“I feel like I did when I was 16 again”: Coyle Girelli Rides High in ‘Museum Day,’ an Album-Sized Ode to NYC

by Mitch Mosk
Neru Thee Fourth Fugee © Local Marquet
Interviews, MusicDecember 8, 2023<December 8, 2023

Interview: Neru Thee Fourth Fugee Is a Baltimore Native Looking to Make Her New Jersey Idols Proud

by Josh Weiner
TEE © Tamiym Cader
Artist to Watch, Columns, Music, Today's SongDecember 8, 2023<December 8, 2023

Artist to Watch: TEE Dwells in Love’s Depths and Gets Caught in the ‘LOOP’

by Mitch Mosk
The Killers at 2023 Leeds Festival © Chris Phelps
Music, Reviews, This Just InDecember 8, 2023<December 12, 2023

Las Vegas Heroes The Killers Introduce ‘Rebel Diamonds’ With Striking New Single “Spirit”

by Beau Hayhoe
Wish Queen © Tessa Smith
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2023<December 7, 2023

Track-by-Track: Wish Queen Crafts a Cathartic Dreamworld in ‘Saturnalia,’ Her Transformative Debut Album

by Mitch Mosk
Palace © Adrian Lee
Music, ReviewsDecember 7, 2023<December 7, 2023

EP Review: ‘Part II: Nightmares and Ice Cream’ Sees Palace at Their Most Vulnerable

by Audrey Connelly
PJ Aviles © Steph Estrada
Debut, Music, ReviewsDecember 7, 2023<December 7, 2023

Review: PJ Aviles Is Willing to Try ‘Anything’ on His Debut Album

by Laurent Chavannes
KTJ & CARLY © Lauren Nieves
Columns, Music, Today's SongDecember 7, 2023<December 7, 2023

Today’s Song: KTJ & CARLY Share Their Gracefully Poignant “Sundays”

by Chloe Robinson
Bush © Shervin Lainez
Columns, Music, Today's SongDecember 6, 2023<December 6, 2023

Today’s Song: Bush Unpack Impermanence & the Speed of Life in “Nowhere to Go But Everywhere”

by Mitch Mosk
S. L. Houser © Rae Mascardo
Debut, Interviews, Music, Track-by-TrackDecember 6, 2023<December 6, 2023

Track-by-Track: S. L. Houser Flourishes on Liberating Debut Solo EP ‘Hibiscus’

by Marissa DeLeon
Stephen Sanchez 'Angel Face' © Caity Krone
Debut, Features, Interviews, MusicDecember 6, 2023<December 11, 2023

“This record is all about love’s humanity”: Stephen Sanchez Is Making Hopeless Romance Cool Again With ‘Angel Face’

by Mitch Mosk
Emily Afton © 2023
Music, Music Videos, PremieresDecember 6, 2023<December 6, 2023

Video Premiere: Emily Afton’s “Running Out of Time” and the Brutality of Love

by Mitch Mosk
Tim Atlas © Paigge
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Cinematic, Percussive, & Heavy”: Tim Atlas Dives Headfirst into the Night With ‘Le Soir’ EP

by Mitch Mosk
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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