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Stephanie Lambring © Alysse Gafkjen
Music, Music Videos, PremieresApril 18, 2024<April 18, 2024

Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media

by Mitch Mosk
Kramies "Social Light" © 2024
Music, PremieresApril 17, 2024<April 17, 2024

“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”

by Mitch Mosk
Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Columns, Music, Today's SongApril 17, 2024<April 17, 2024

“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER”

by Mitch Mosk
Leo © Claire Giuffre
Debut, Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024

‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP

by Mitch Mosk
Brother Bird © Chris Bauer
Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024

“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’

by Mitch Mosk
Akira Galaxy © Erica Snyder
Interviews, MusicApril 16, 2024<April 16, 2024

“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy

by Marissa DeLeon
Mark Clennon © courtesy of the artist
MusicApril 16, 2024<April 16, 2024

Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”

by Josh Weiner
Amie Blu © Alastair McVeigh
Columns, Music, Today's SongApril 16, 2024<April 15, 2024

“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”

by Aidan Mega
Telescreens © Kylie Bly
Music, Reviews, This Just InApril 15, 2024<April 15, 2024

“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers

by Noah Berghammer
Older - Lizzy McAlpine
Features, Music, Reviews, RoundtableApril 15, 2024<June 29, 2024

Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’

by Atwood Magazine Staff
Dust, Pt. 1 - Say Lou Lou
Columns, Music, Today's SongApril 15, 2024<April 15, 2024

“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction

by Mitch Mosk
Liv Miraldi © Ryan Talerico
Columns, Music, Today's SongApril 14, 2024<April 16, 2024

Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family”

by Chloe Robinson
London Grammar © Tarek Mawad
Columns, Music, Today's SongApril 13, 2024<April 13, 2024

Today’s Song: The Enchanting Interior World of London Grammar’s “House”

by David Buyze
Atwood Magazine's Weekly Roundup | April 12, 2024
Columns, Features, Music, Weekly RoundupApril 12, 2024<April 17, 2024

Atwood Magazine’s Weekly Roundup: April 12, 2024

by Atwood Magazine Staff
Carly Pearce © Allister Ann
Columns, Music, Today's SongApril 12, 2024<April 12, 2024

Today’s Song: Carly Pearce’s “my place” Is a Stirring Portrait of Heartache & Yearning Off Upcoming Album ‘hummingbird’

by Emily Frances Algar
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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