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shrooms - Coral Moons © Justin Bartlett
Music, Music Videos, PremieresMarch 5, 2024<February 26, 2024

Premiere: On “shrooms,” Coral Moons Trip Through a Sunny, Hazy Weekend With Friends

by Kendall Graham
Loving © Zoe Alma
Features, Interviews, MusicMarch 4, 2024<February 27, 2024

“Cuddle Rock”: Loving’s ‘Any Light’ Is Existentially Uncertain, Yet Mysteriously Optimistic

by Miles Campbell
Cab Ellis © 2022
Columns, Music, Music You Should KnowMarch 4, 2024<March 11, 2024

Music You Should Know: Cab Ellis’ “The East Coast Hold On” Puts a Pep in Your Step, Intoxicating With a Sense of New York Wonder

by Noah Berghammer
bog berries © Cooper Evello
Columns, Music, Today's SongMarch 4, 2024<June 20, 2024

“I didn’t expect to be alone this much”: The Gut-Wrenching Vulnerability of bog berries’ Wistful “Nobody Told Me”

by Mitch Mosk
Dani Felt
Essays, Women's History MonthMarch 1, 2024<March 2, 2025

“How to Turn Your Dreams into Reality”: An Essay by Dani Felt for Women’s History Month

by Guest Writer
Wallows © Aidan Zamiri
Columns, Music, Today's SongMarch 1, 2024<March 1, 2024

Today’s Song: At a Time in Which No Artist Is Assured an Easy Hit, Wallows Pivot With “Your Apartment”

by Noah Wade
Everything Everything © Steve Gullick
Features, Interviews, MusicMarch 1, 2024<March 23, 2024

Interview: Everything Everything’s Jonathan Higgins on AI, Education, & New LP ‘Mountainhead’

by Eric Schuster
Quarters of Change © Anna Henderson
Features, Interviews, MusicFebruary 29, 2024<February 27, 2024

Interview: NYC’s Quarters of Change Are Painting Vivid & Gritty ‘Portraits’ in Their Sophomore Album

by Minna Abdel-Gawad
Holy Fool "Ache" © Christian Tierney
Columns, Music, Today's SongFebruary 29, 2024<February 26, 2024

Today’s Song: UK Duo Holy Fool Provides a Warm Thirst and Vulnerability in “Ache”

by Chloe Robinson
Francis of Delirium © Holly Whitaker
Debut, Features, Interviews, MusicFebruary 28, 2024<February 28, 2024

“I hope the song encourages people to let each other in”: Francis of Delirium Is a Lighthouse of Love, Support, & Cathartic Indie Rock

by Mitch Mosk
Abby Sage © Noah Kentis
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

“No shame I’m just a beginner”: Abby Sage Talks ‘The Rot,’ Music Fasts, Theatre Kid Resurrection, and Repurposing Pain into Beauty

by Kate Millar
Bombay Bicycle Club © Tom Oxley
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

Finding Freedom in Our Fantasies: An Interview With Bombay Bicycle Club

by Nasim Elyasi
The Mysterines "Stray"
Columns, Music, Today's SongFebruary 28, 2024<February 28, 2024

“Can we just rewind back?”: “Stray” Is The Mysterines’ Achingly Intense, Emotionally Charged Alt-Rock Fever Dream

by Mitch Mosk
Maya J © Ryan West
Features, Interviews, MusicFebruary 27, 2024<February 27, 2024

A Musical Mystic: Maya J Showcases Her Creative Versatility in Latest Single “Chills”

by Lauren Hicks
piggy bank - sly jr
Debut, Interviews, MusicFebruary 26, 2024<February 26, 2024

“Life’s not all bad when I really think”: A Conversation With Sly Jr., Son of Sly

by Mitch Mosk
Posts pagination
1 … 134 135 136 137 138 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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