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Sophian "Dance With Me" © Tallulah Armenti
Music, PremieresFebruary 21, 2024<February 21, 2024

Premiere: Sophian’s Mesmerizing “Dance With Me” Encourages the Ideality of Trusting & Believing in Oneself

by Lauren Turner
Varsity © Clare Byrne
Features, Interviews, Music, Track-by-TrackFebruary 21, 2024<February 21, 2024

Track-by-Track: Varsity Measure a Year in the Life With ‘Souvenirs,’ Their Sweeping & Soaring 4th Album

by Mitch Mosk
Luna Shadows © Lissyelle Laricchia
Columns, Music, Today's SongFebruary 20, 2024<February 20, 2024

“I’m missing the waves, I wanted to crash”: Luna Shadows’ “little rituals” Finds Liberation in Unabashed Deep Feeling

by Rachel Leong
Linying © Michelle Mei
Features, Interviews, MusicFebruary 20, 2024<February 22, 2024

“If I wanted to hate my job, I could be an accountant”: Linying Pushes into Her Next Phase With ‘House Mouse’ EP

by Leo Culp
Hans Williams © Hank Miller
Debut, Features, Interviews, MusicFebruary 20, 2024<February 20, 2024

“Under my skin is where you hide”: Hans Williams on Overcoming Imposter Syndrome, His Debut EP, & Folk Music’s Renaissance

by Mitch Mosk
Danielle Durack's 'Escape Artist' album art
Music, ReviewsFebruary 20, 2024<February 20, 2024

Danielle Durack Uses Humor & Poignancy to Tread the Human Condition on ‘Escape Artist’

by Kevin Krein
Georgia Gets By © Nicola Sandford
Columns, Music, Today's SongFebruary 19, 2024<February 19, 2024

“When All You Can Manage Is a Sigh”: The Achingly Raw Fragility of Georgia Gets By

by Mitch Mosk
wilt © 2023
Artist to Watch, Columns, Music, Today's SongFebruary 18, 2024<February 18, 2024

Today’s Song: wilt Breathe New Life into Grunge & Elevate the Genre With “moved along”

by Audrey Connelly
Kacey Musgraves © Kelly Christine Sutton
Columns, Music, Today's SongFebruary 17, 2024<February 17, 2024

“No regrets, baby”: Kacey Musgraves Makes a Fresh Start in “Deeper Well,” a Song of Self-Empowerment & Letting Go

by Lauren Turner
Atwood Magazine's Weekly Roundup | February 16, 2024
Columns, Features, Music, Weekly RoundupFebruary 16, 2024<February 22, 2024

Atwood Magazine’s Weekly Roundup: February 16, 2024

by Atwood Magazine Staff
Victoria Victoria © 2024
Columns, Music, Today's SongFebruary 16, 2024<February 16, 2024

Today’s Song: Victoria Victoria Climbs “Jacob’s Ladder” in a Warm, Intimate Alt-Folk Dream

by Mitch Mosk
Forest Claudette © Lissyelle Laricchia
Interviews, MusicFebruary 16, 2024<February 16, 2024

“I’m Trying to Come Out from Within”: Forest Claudette Channels Vulnerability & Queer Identity into “Kobe Beef”

by Nic Nichols
bedbug's Dylan Gamez Citron
Essays, MusicFebruary 16, 2024<February 16, 2024

Reaching Up to Heaven and Just Falling Short: A Bedroom Pop Retrospective by bedbug

by Guest Writer
Friko © Pooneh Ghana
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 16, 2024

Cathartic, Dynamic, & Joyful: Chicago’s Friko Debut With a Visceral Fire in ‘Where we’ve been, Where we go from here’

by Mitch Mosk
Refreshingly bold, irresistibly buoyant, and unflinchingly honest: Jordan Mackampa © Aidan Harmitt-Williams
Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 17, 2024

‘WELCOME HOME, KID!’: Jordan Mackampa Is Authentic & Fearless in Soul-Soaked Sophomore LP

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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