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Scatterbrain EP - Emei
Concerts, Music, ReviewsDecember 5, 2023<December 5, 2023

Live Review: Emei Delivers a Powerful & Penetrating Show in Los Angeles on The Cynical Tour

by Chloe Robinson
Kirsten Ludwig © Kristina Dittmar
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Expansive, Oscillatory, & Resplendent”: Kirsten Ludwig Basks in the Glow of ‘Sunbeam,’ Her Radiant Indie Pop Reverie

by Mitch Mosk
Ella Rosa © 2023
Interviews, MusicDecember 5, 2023<December 5, 2023

Interview: Ella Rosa Admits To Being OTT When It Comes to PDA

by Joe Beer
HUNNY BUZZ © 2023
Artist to Watch, Debut, Interviews, MusicDecember 5, 2023<December 12, 2023

Artist to Watch: The Buzz About Bristol’s HUNNY BUZZ, an Indie Pop Band With an Irresistible Sound

by Mitch Mosk
Armand Hammer © Alexander Richter
Columns, Music, Today's SongDecember 4, 2023<December 4, 2023

Today’s Song: Armand Hammer Weave Hip-Hop Tapestry on “When It Doesn’t Start With a Kiss”

by Jake Fewx
Rebecca Lappa © Lorraine Mortensen
Interviews, MusicDecember 4, 2023<December 4, 2023

Interview: Alberta Native Rebecca Lappa Transports Us to the Snowy North on ‘Tales of a Taurus’

by Josh Weiner
Taylor Swift’s ‘1989 (Taylor’s Version)’ cover art
Music, ReviewsDecember 4, 2023<December 4, 2023

Review: Taylor Swift’s ‘1989 (Taylor’s Version)’ Is a Swiftie’s Wildest Dreams

by Guest Writer
Clay Parker & Jodi James © Jodi James
Music, Music Videos, PremieresDecember 4, 2023<December 4, 2023

Premiere: Clay Parker and Jodi James Ponder the Blue & Winding Homespun Flow of “Nothing at All”

by Kendall Graham
Daisy Grenade © Sabrina DiGeorge
Features, Interviews, Music, Track-by-TrackDecember 1, 2023<December 1, 2023

“Glittery, Gory, & Grungy”: Daisy Grenade’s ‘Cult Classic’ Is a Sparkling Pop Punk Explosion

by Mitch Mosk
Charlie Mars © David McClister
Interviews, MusicDecember 1, 2023<December 2, 2023

“I’m Just Trying to Keep the Letter Alive”: The Preservation of Humanity in Charlie Mars’ Latest Album ‘Times Have Changed’

by Lauren Hicks
pen pin © 2023
Columns, Music, Today's SongDecember 1, 2023<December 1, 2023

Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 1, 2023
Columns, Features, Music, Weekly RoundupDecember 1, 2023<December 1, 2023

Atwood Magazine’s Weekly Roundup: December 1, 2023

by Atwood Magazine Staff
Ethel © Victor Jacques Sebb
Columns, Music, Today's SongNovember 30, 2023<November 30, 2023

Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust”

by Mitch Mosk
Jauz © 2023
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview with Jauz, a Part-Wise, Part-Wicked, All-Talented EDM Machine

by Josh Weiner
Maudlin Strangers © Alvaro Navarro
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview: Maudlin Strangers’ Jake Hays Gets Deep on Addiction, Tour Stories, New Music, & More

by Chloe Robinson
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

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Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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