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Humbird © Juliet Farmer
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 12, 2024

“We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie

by Mitch Mosk
Hannah Frances © Gabrielle Greenberg
Features, Interviews, MusicApril 12, 2024<April 12, 2024

Interview: Hannah Frances on Grief, Sheep, & Bending Genres With Her New Album ‘Keeper of the Shepherd’

by Guest Writer
fka twigs © 2019
Columns, Music, Nostalgia TracksApril 12, 2024<April 12, 2024

Nostalgia Tracks: FKA twigs Stirs Souls with “Mirrored Heart”

by Stephanie Bento
Goose © Geoff Tischman
Concerts, Music, ReviewsApril 12, 2024<April 12, 2024

Live: Goose Celebrate Solar Eclipse by Playing ‘Moon Cabin’ in Its Entirety

by Max Kalnitz
Heron - Alice Merton
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 14, 2024

“I want to try everything all at once”: Alice Merton Leans into Change on ‘Heron,’ a Radiant Record of Inner Transformation

by Mitch Mosk
Ginger Winn © Alyssa Mancini
Columns, Debut, Music, Today's SongApril 11, 2024<May 1, 2024

“One day I made a wish…”: Ginger Winn Basks in Sweet Dreams on Debut Single “Super 8”

by Mitch Mosk
Heddy Edwards © 2024
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Inner Worlds & John Hughes Movies: Heddy Edwards Wants to Show You Her Teenage Bedroom

by Emma Rayder
The Ballroom Thieves © Meredith Brockington
Features, Interviews, Music, Premieres, Track-by-TrackApril 11, 2024<April 11, 2024

“My joy breaks windows”: The Ballroom Thieves Shine Bright on ‘Sundust,’ a Tender Album of Love, Healing, & the Human Experience

by Mitch Mosk
Aaron West and The Roaring Twenties © Mitchell Wojcik
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Spitting in the Wind: Dan Campbell Talks Aaron West & The Roaring Twenties’ Third Act, ‘In Lieu of Flowers’

by James Crowley
Dom Malin © Taylor Olson
Music, PremieresApril 11, 2024<April 11, 2024

“Out the darkness, a burning flame”: Midlands Singer/Songwriter Dom Malin Weathers the Storm in “Hurricane,” a Song of Love & Perseverance

by Mitch Mosk
Hope Tala © Erica Devin Snyder
Music, Reviews, This Just InApril 11, 2024<April 11, 2024

“Opening my heart ’til the thing is messy”: Hope Tala’s “I Can’t Even Cry” Aches With Love’s Pain & Shines With Its Beauty

by Mitch Mosk
Kacey Musgraves 'Deeper Well' © Kelly Christine Sutton 6.4
Music, Our Take, ReviewsApril 10, 2024<April 10, 2024

Our Take: “Deeper Well” Is a Too-Tranquil Comedown From Kacey Musgraves’ Cosmic Country

by Sam Franzini
Glass Animals "Creatures in Heaven" © Lillie Eiger
Music, Reviews, This Just InApril 10, 2024<April 10, 2024

“What do you think about when you think about love?”: Glass Animals Are Here, in the Moment, on “Creatures in Heaven”

by Mitch Mosk
Jenny Owen Youngs © Josh Goleman
Features, Interviews, MusicApril 10, 2024<April 10, 2024

Interview: Hopeful & Full of Light, Jenny Owen Youngs Reflects on Her New Album ‘Avalanche’

by Jaclyn Kelly
RiTchie © Patrick Driscoll
Columns, Music, Today's SongApril 10, 2024<April 10, 2024

“Look who done came through”: Basking in the Dry Heat of RiTchie’s “Dizzy” ft. Aminé

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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