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'In My Nature' EP - Rosie H Sullivan © Marc Sharp
Features, Interviews, MusicNovember 24, 2023<November 24, 2023

An Ode to the Scottish Highlands: Rosie H Sullivan’s Second EP, ‘In My Nature’

by Lauren Hicks
LØLØ © Walker Hutchinson
Columns, Interviews, Music, Today's SongNovember 23, 2023<November 23, 2023

Interview: LØLØ Plots Diabolical Revenge on “hot girls in hell”

by Josh Weiner
Slothrust © Marcelo Mayen
Interviews, MusicNovember 22, 2023<November 22, 2023

“If you’re horny, let’s do it”: Slothrust Deliver Seductive Slow Thrusts in Hot n’ Sweaty “Pony” Cover

by Mitch Mosk
Tunes & Tumblers x Thanksgiving 2023
Music, Podcast, Tunes & TumblersNovember 22, 2023<November 22, 2023

Podcast: Tunes & Tumblers Features Thanksgiving Roundtable and a Winter Rumderland

by Atwood Magazine Staff
Diamond Grinder © 2023
Debut, Features, Interviews, MusicNovember 22, 2023<November 22, 2023

Interview: Diamond Grinder’s ‘Expectations’ Are High, But Their Debut Album Is Higher

by Guest Writer
Abby Sage "Hunger" © cloudyytots
MusicNovember 22, 2023<November 22, 2023

Today’s Song: The Haunting “Hunger” and Sexual Liberation of Abby Sage

by Mitch Mosk
Raw Poetic, P-Fritz, & Damu the Fudgemunk
MusicNovember 21, 2023<November 21, 2023

“Beastie, Tribe, & Enemy”: Raw Poetic’s ‘Away Back In’ Is a Soulful, Smoldering Hip-Hop Seduction

by Mitch Mosk
BIZZY © Hunter Henderson
Interviews, Music, Track-by-TrackNovember 21, 2023<August 18, 2025

Interview: Nashville Indie Pop Artist BIZZY Updates Us on Her Tour & New EP, ‘I Don’t Get Breakups’

by Lauren Hicks
Bridget Rian "Sydney Sweeney" © Libby Danforth
Columns, Music, Today's SongNovember 21, 2023<November 21, 2023

“Sydney Sweeney” Is a Dramatic, Cinematic, and Emotionally-Charged Hit for Bridget Rian

by Mitch Mosk
Bad Suns © Sarah Eiseman
Features, Interviews, Music, Track-by-TrackNovember 21, 2023<November 21, 2023

Track-by-Track: Bad Suns Bask in the Glow of ‘Infinite Joy’

by Mitch Mosk
Charli Adams for Atwood Magazine © Luke Rogers
Features, Interviews, Music, Track-by-TrackNovember 20, 2023<November 20, 2023

Track-by-Track: Charli Adams Bares Her Soul in ‘nothing to be scared of,’ a Confessional, Cathartic & Fearless EP

by Mitch Mosk
The Staves 'All Now' © Harvey Pearson
Music, Reviews, This Just InNovember 20, 2023<November 20, 2023

This Just In: The Staves Are “All Now,” Isn’t It Exciting?!

by Mitch Mosk
CRAVITY 'SUN SEEKER' © courtesy of the artist
Features, Interviews, MusicNovember 20, 2023<November 28, 2023

Interview: K-Pop Group CRAVITY Share Their Comeback Process, Favorite Dishes, & A Message to LUVITY

by Freya Rinaldi
Indio Downey © Elizabeth Miranda
Features, Interviews, MusicNovember 20, 2023<January 24, 2024

Interview: Indio Downey Shares His Lust for Rock n’ Roll in “Dume” and Debut EP, ‘Cigarettes in Bed’

by Nasim Elyasi
'Blanket' album art - Kevin Abstract
Music, ReviewsNovember 20, 2023<November 20, 2023

Album Review: Kevin Abstract’s ‘Blanket’ Finds Comfort in Change

by Sofia Sar
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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