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Rachel Min Leong
Columns, Meet Our WritersJuly 1, 2023<July 18, 2023

Meet Our Writers: Singapore’s Rachel Min Leong!

by Rachel Leong
Sierra Ferrell © Jay Strausser
Features, Interviews, MusicJune 30, 2023<June 16, 2023

A Star On The Rise: Sierra Ferrell, From Busking in West Virginia to the Spotlight

by Christopher Snyder
Xana © Lindsey Blane
Features, Interviews, Music, Today's SongJune 29, 2023<June 16, 2023

Interview: Xana Reflects on Fading Friendships & the Closing of Chapters in “Babyblue”

by Joe Beer
Flesh Eater © Mariana Souza
Columns, Editorials, Music, Pride MonthJune 29, 2023<June 16, 2023

“In Fostering Community, We Find Our Voice”: A Pride Month Essay by Flesh Eater’s Zwil AR

by Guest Writer
Mike Maimone
Columns, Editorials, Music, Pride MonthJune 28, 2023<June 16, 2023

“Pride and Privilege”: A Pride Month Essay by Mike Maimone

by Guest Writer
The Voidz © Cheryl Georgette
Columns, Music, Today's SongJune 28, 2023<June 16, 2023

Today’s Song: The Voidz Uncover the “Prophecy of the Dragon” With Galactic Groove, Grit, & Glamour

by Isabella Le
CLAY © Jamie-Lee B.
Columns, Editorials, Music, Pride MonthJune 27, 2023<June 15, 2023

“All My Friends Are Queer”: A Pride Month Essay by CLAY

by Guest Writer
AlienBlaze © 2023
Columns, Music, Today's SongJune 27, 2023<June 15, 2023

Today’s Song: AlienBlaze Creates a Fusion of Rock, Rap, & Raw Emotions in “Lovesick”

by Joe Beer
Movements © Anthony Purcella
Columns, Music, Today's SongJune 26, 2023<June 16, 2023

Today’s Song: Movements Dissolve the Line Between Nightmare & Reality on Fierce, Fiery “Fail You”

by Isabella Le
Mike Taylor © Catie Laffoon
Columns, Editorials, Music, Pride MonthJune 26, 2023<June 15, 2023

“Pride Unconfined – Navigating Identity, Representation, and Liberation as a Queer Artist of Color”: A Essay by Mike Taylor

by Guest Writer
Kevin Krein
Columns, Meet Our WritersJune 24, 2023<June 15, 2023

Meet Our Writers: Minnesota’s Kevin Krein!

by Kevin Krein
RAEGAN © Louis Browne
Columns, Editorials, Music, Pride MonthJune 23, 2023<July 3, 2023

“The Artistic Mirror – How Music Reflects My Identity”: A Pride Month Essay by RAEGAN

by Guest Writer
Dizzy's Katie Munshaw © Boy Wonder
Columns, Music, Today's SongJune 23, 2023<June 13, 2023

Today’s Song: Dizzy Yearn to Keep Their Loved Ones “Close”

by Brendan Le
'The Good Witch' album artwork - Maisie Peters
Music, ReviewsJune 23, 2023<June 23, 2023

Review: Maisie Peters’ Sophomore Album ‘The Good Witch’ Is Magical & Flawless

by Kelly McCafferty Dorogy
Blondshell © Nick Walker
Features, Interviews, MusicJune 22, 2023<January 30, 2024

Clawing Her Way Out: A Conversation With Blondshell

by Nasim Elyasi
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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