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Ester © Ash Dye
Music, PremieresAugust 28, 2023<August 28, 2023

Premiere: Ester’s “Seed, Sun, Soil” Is an Aching, Enchanting, & Tender Lament

by Mitch Mosk
grentperez © Theo Batterham
Features, Interviews, MusicAugust 28, 2023<September 5, 2023

Interview: grentperez Talks Upcoming Tour, Filipino-Australian Roots, and the “E” in His Name

by Freya Rinaldi
PVRIS © Matty Vogel
Features, Interviews, MusicAugust 28, 2023<August 28, 2023

“A testament to longevity and sustainability”: PVRIS Explores Artistry, Identity, & Life in the Digital Age on ‘EVERGREEN’

by Isabella Le
Ella Collier © 2023
Columns, Music, Today's SongAugust 28, 2023<August 28, 2023

Today’s Song: Ella Collier Cautions Us to the Dangers of Being Controlled by Emotion in “Second Arrow”

by Chloe Robinson
'Bottoms' movie still © MGM Studios
Film, Music, ReviewsAugust 26, 2023<July 8, 2024

Charli XCX Curates Cool High School Vibes With ‘Bottoms’ Movie Soundtrack

by Julia Dzurillay
The National "Space Invader" © 2023
Columns, Music, Today's SongAugust 26, 2023<August 26, 2023

Today’s Song: The National Grapple with the Past on Standout Single “Space Invader”

by Beau Hayhoe
Quinn XCII © Sam Dameshek
Features, Interviews, MusicAugust 25, 2023<September 1, 2023

Interview: Quinn XCII Speaks Candidly on Life, the People, & the Experiences That Have Shaped His Artistry Over The Years

by Nick Polak
Emma Gatrill © Sequoia Ziff
Columns, Music, Today's SongAugust 25, 2023<August 25, 2023

Today’s Song: The Wide-Eyed Wonder of Emma Gatrill’s “Adonis Blue”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 25, 2023
Columns, Features, Music, Weekly RoundupAugust 25, 2023<August 25, 2023

Atwood Magazine’s Weekly Roundup: August 25, 2023

by Atwood Magazine Staff
Lindsay Lou © Dana Kalachnik
Features, Interviews, MusicAugust 25, 2023<August 25, 2023

Interview: Lindsay Lou, an Artist Who Pours Her Heart into Her Music

by Christopher Snyder
Flyte © Katie Silvester
Features, Interviews, MusicAugust 25, 2023<August 25, 2023

Interview: Flyte Announce Third Album & Discuss “Tough Love,” Marking Musical Expansion and New Takes on Songwriting

by Rachel Leong
Benét
Features, Interviews, MusicAugust 24, 2023<August 24, 2023

Intimate, Candid, & Provocative: Benét Talks Vulnerability & Making of Debut Album ‘Can I go again?’

by Mitch Mosk
Laura Zarougian
Music, PremieresAugust 24, 2023<August 24, 2023

“Turning reality on its head”: Laura Zarougian’s “Back to Me” Premieres With Achingly Raw Folk Charm

by Mitch Mosk
Peter Wise © 2023
Interviews, MusicAugust 24, 2023<August 24, 2023

Interview: Peter Wise Embraces New Beginnings in “Only Gotta Start”

by Joe Beer
Bruno Major © Neil Krug
Features, Interviews, MusicAugust 24, 2023<August 24, 2023

The Diary of an Explosion: Bruno Major Dives into His “Most Vulnerable Album,” ‘Columbo’

by Minna Abdel-Gawad
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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