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Matilda Lyn © 2023
Columns, Music, Today's SongOctober 19, 2023<October 19, 2023

Artist to Watch: Matilda Lyn’s “Fooled by September” Is a Fragile Ode to Fleeting Beauty

by Mitch Mosk
Signe Vange © Sara Galbiati
Music, Music Videos, PremieresOctober 19, 2023<October 19, 2023

Premiere: The Dreamy Warmth & Existential Ache of Signe Vange’s “Skyscraper” ft. Lise Westzynthius

by Mitch Mosk
Imogen Clark © Michelle Grace Hunder
Music, PremieresOctober 19, 2023<October 19, 2023

“If I want in, I gotta get out”: Imogen Clark Channels Angst, Energy, & Ambition into Her Spirited New Single

by Mitch Mosk
Gregory Alan Isakov © Glen Ross
Features, Interviews, MusicOctober 19, 2023<October 19, 2023

“Punching into a Daydream Factory”: Gregory Alan Isakov and the Quiet Warmth of ‘Appaloosa Bones’

by Mitch Mosk
Maisie Peters © courtesy of the artist
Concerts, Music, ReviewsOctober 18, 2023<October 18, 2023

Live Review: Maisie Peters Stuns in Texas with the Spectacular Good Witch Show

by Kelly McCafferty Dorogy
GUTS - Olivia Rodrigo
Music, ReviewsOctober 18, 2023<October 18, 2023

Olivia Rodrigo Spills Her ‘GUTS’ in New Album, Tapping into Fears of Youth, Aging, & Heartbreak

by Claire Meyer
Tunes & Tumblers x The Bobby Lees 2023
Music, Podcast, Tunes & TumblersOctober 18, 2023<October 24, 2023

Podcast: Tunes & Tumblers Features The Bobby Lees and a Junkyard Juice (ft. Macky Bowman)

by Atwood Magazine Staff
Ricky Montgomery © Haley Appell
Features, Interviews, Music, Track-by-TrackOctober 18, 2023<October 17, 2023

Track-by-Track: Ricky Montgomery’s ‘Rick’ Is a Big, Bold Record With Big, Raw Feelings

by Mitch Mosk
B-Drop
Music, PremieresOctober 17, 2023<April 7, 2024

Premiere: B-Drop Worldwide Showcases VALÉ & Foxtide

by Mitch Mosk
Katelyn Tarver © JT Clemente
Concerts, Music, ReviewsOctober 17, 2023<October 17, 2023

Live Review: Katelyn Tarver Brings an Intimate Energy to Houston on Her Compliments Only Tour

by Kelly McCafferty Dorogy
Ursa Major Revelation © Ursula Strauss
Debut, Music, Premieres, Track-by-TrackOctober 17, 2023<October 17, 2023

EP Premiere: Ursa Major Revelation Debut With ‘Big Baby,’ a Seductive Futurepop Reverie

by Mitch Mosk
Sydney Sprague © Michael Carter
Features, Interviews, MusicOctober 16, 2023<October 16, 2023

Trauma, Gossip, & Raccoon Memes: Sydney Sprague Dives into the Depths of ‘somebody in hell loves you’

by Mitch Mosk
Doja Cat © Jacob Webster
Music, ReviewsOctober 16, 2023<October 16, 2023

Doja Cat’s ‘Scarlet’ Is a Rap-Centric Pivot for the Superstar

by Eric Schuster
Mike Sabath © Oliver Pearson
Columns, Music, Today's SongOctober 15, 2023<October 15, 2023

Today’s Song: Mike Sabath’s “Life” Is an Honest Offering That Will Resonate With Us All

by Chloe Robinson
Last Dinosaurs © Andre Cois
Columns, Music, Today's SongOctober 14, 2023<October 14, 2023

Today’s Song: Last Dinosaurs Melt Hearts With New Single “Walking on Ice”

by Julia Dzurillay
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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