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Jai Wolf & BANKS © 2023
Columns, Music, Today's SongAugust 24, 2023<August 24, 2023

Today’s Song: Jai Wolf & BANKS’ “Don’t Look Down” Seeks to Give Comfort About the Fears of Overthinking

by Jada Moore
Course © Savannah Scruggs
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: Chicago’s Course Deliver a Synth-Soaked Inner Reckoning in “Too Busy for Feelings”

by Mitch Mosk
Hayley Reardon "Enough Is Everything" still © Blake Z. Larson
Music, PremieresAugust 23, 2023<August 23, 2023

“I held the world then put it back”: Hayley Reardon Bares Her Soul on the Achingly Vulnerable “Enough Is Everything”

by Mitch Mosk
Mega Ran © Jeff Moses
Music, Music Videos, PremieresAugust 23, 2023<February 1, 2024

Premiere: Mega Ran’s “Gimme the Fruit” (ft. Whitney Peyton) Is Sweet, Fun, & Certified Fresh

by Mitch Mosk
supergloom © Laura Moreau
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: supergloom’s Fever Dream “Glass Ajar” Is a Cathartic Release of Energy & Emotion

by Mitch Mosk
Jaehyun © SM Entertainment
Columns, Music, Today's SongAugust 23, 2023<August 23, 2023

Today’s Song: NCT’s Jaehyun Beams with Summer Delight & Joie de Vivre on “Horizon”

by Isabella Le
The Vaughns © Brian Hughes
Music, Music Videos, PremieresAugust 23, 2023<August 22, 2023

Premiere: The Vaughns Take It “Day By Day” in a Cathartic, Soul-Stirring Song of Grief, Love, & Cancer

by Mitch Mosk
Joh Chase © Shervin Lainez
Music, Music Videos, PremieresAugust 22, 2023<August 22, 2023

Premiere: The Raw Vulnerability & Aching Intimacy of Joh Chase’s “Risking It With You”

by Mitch Mosk
Evergreen - PVRIS 8.9
Music, Our Take, ReviewsAugust 22, 2023<August 22, 2023

Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’

by Marissa DeLeon
Gigantic NGHTMRE © Jason Siegel
Features, Interviews, MusicAugust 22, 2023<August 22, 2023

Interview: EDM Supergroup Gigantic NGHTMRE Talk Debut EP, Collaboration, & Denver’s Status as the Bass Music Capital

by Nick Polak
Elle Baez © 2023
Essays, MusicAugust 22, 2023<August 22, 2023

“A Fire That Won’t Die”: An Essay by Elle Baez

by Guest Writer
Tunes & Tumblers x Carter Vail
Music, Podcast, Tunes & TumblersAugust 22, 2023<August 22, 2023

Podcast: Tunes & Tumblers Features Carter Vail and an Interstellar Experience

by Atwood Magazine Staff
Finn Askew © Rosie Matheson
Columns, Music, Today's SongAugust 22, 2023<August 22, 2023

Today’s Song: Finn Askew’s “Used to This” Is Effervescently in Love

by Kelly McCafferty Dorogy
Steve Lacy "Helmet" still
Columns, Music, Today's SongAugust 21, 2023<August 21, 2023

Today’s Song: Steve Lacy’s “Helmet” is an Upbeat Anthem for Calling Things Off & Moving On

by Claire Meyer
VANNER © 2023
Features, Interviews, MusicAugust 21, 2023<August 22, 2023

Interview: K-Pop Group VANNER Discuss Working with Hyungwon of Monsta X, Dreams for the Future, & Breakdown New EP, ‘VENI VIDI VICI’

by Freya Rinaldi
Posts pagination
1 … 170 171 172 173 174 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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