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East Nash Grass © Kaitlyn Raitz
Features, Interviews, MusicAugust 21, 2023<August 21, 2023

If Time Were a Lottery Ticket: East Nash Grass’ Maddie Denton on Sophomore Album ‘Last Chance to Win’

by Lauren Hicks
Lilla Sol © Gigi Jones
Features, Interviews, MusicAugust 18, 2023<August 20, 2023

“This is for expansion. It’s for transformation.” An Interview with Lilla Sol

by Guest Writer
Taylor Mecca © 2023
Columns, Music, Today's SongAugust 18, 2023<August 18, 2023

Today’s Song: Taylor Mecca Explores the Intricacies of Getting Older in “growing up sucks”

by Chloe Robinson
Songies - PYNKIE
Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023

Album Premiere: PYNKIE’s ‘Songies’ Is a Dreamy, Sun-Soaked World of Warmth & Wonder

by Mitch Mosk
Queens of the Stone Age © 2023
Columns, Music, Today's SongAugust 17, 2023<August 17, 2023

Today’s Song: “Paper Machete” Offers Acerbic Contempt in Three Minutes from Queens of the Stone Age

by Adam Davidson
Honeycrush © Oliver Covrett
Music, PremieresAugust 17, 2023<August 17, 2023

Premiere: Honeycrush’s “Stars” Is an Intimate Haze of Desperation & Detachment

by Mitch Mosk
Soda Blonde © Patricio Cassinoni
Music, PremieresAugust 17, 2023<August 17, 2023

Premiere: Soda Blonde’s Cinematic “Midnight Show” Is a Passion & Purpose-Driven Anthem for Unapologetic Artists

by Mitch Mosk
LEONE © Jeff Buckholz
Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023

Premiere: Queer Alt-Rock Band LEONE Show Their Full Hand in Sophomore EP ‘GTFOH’

by Nic Nichols
Caroline Cotter © Katherine Emery
MusicAugust 16, 2023<August 16, 2023

Gently As I Go: Caroline Cotter Premieres Her Intimate, Reflective, & Nostalgic Third Album

by Mitch Mosk
Simen Mitlid © 2023
Music, PremieresAugust 16, 2023<August 16, 2023

Premiere: Simen Mitled’s Breathtaking Indie Folk Reverie “Five Hundred Days” Aches With the Beauty & Pain of Memory

by Mitch Mosk
Heartquake - L'Impératrice & Cuco
Columns, Music, Today's SongAugust 16, 2023<August 16, 2023

Today’s Song: L’Impératrice and Cuco’s “Heartquake” Brings the Grooviest Psychedelic Summer Vibes

by Julia Dzurillay
City and Colour © Vanessa Heins
Features, Interviews, MusicAugust 15, 2023<August 15, 2023

“The Love Still Held Me Near”: City and Colour’s Dallas Green Talks Loss, Grief, & Love

by Mitch Mosk
Olive Klug © Erik Bergamini
Debut, Features, Interviews, MusicAugust 15, 2023<August 15, 2023

Interview: Olive Klug Is “Taking Up Space” in Their Debut Album, ‘Don’t You Dare Make Me Jaded’

by Minna Abdel-Gawad
SHOWNU X HYUNGWON © 2023
Features, Interviews, MusicAugust 15, 2023<August 15, 2023

Interview: Shownu & Hyungwon of Monsta X Speak on Their Unit, Their New EP, & Upcoming Performances as a Duo

by Freya Rinaldi
Sharifa © ​Aubrey Simpson
Columns, Music, Today's SongAugust 15, 2023<August 24, 2023

Today’s Song: Sharifa’s “BEDROOM LIGHT” Is a Dark, Late Night Fever Dream

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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