Music, Music Videos, PremieresOctober 5, 2023<October 5, 2023 Premiere: Amethysts Dwell in the Deep End on “Bloodline,” a Moody, Brooding, & Beautiful Dreampop Reverie by Mitch Mosk
Features, Interviews, Music, Track-by-TrackOctober 5, 2023<October 5, 2023 “Big Sky Energy”: NYC’s Raia Was Is ‘Captain Obvious’ on Her Seductive & Soul-Stirring Sophomore Album by Mitch Mosk
Music, PremieresOctober 5, 2023<October 5, 2023 Premiere: Queen’s Brian May Joins Flarelight on “Glimmer,” a Hopeful & Hard-Hitting Alt-Rock Fever Dream by Mitch Mosk
Features, Interviews, MusicOctober 5, 2023<October 5, 2023 “This is what my heart sounds like”: Birthh Bares Her Soul on Third Album ‘Moonlanded’ by Mitch Mosk
Columns, Music, Today's SongOctober 4, 2023<October 4, 2023 “Cool” Girls and the Male Gaze: Sarah Johnsone’s “Sofia” Is a Seductive Critique by Mitch Mosk
Features, Interviews, Music, Premieres, Track-by-TrackOctober 4, 2023<October 4, 2023 Album Premiere: Hello June’s ‘Artifacts’ Is a Spirited, Churning, & Charged Sophomore Triumph by Mitch Mosk
Music, ReviewsOctober 4, 2023<October 4, 2023 Review: Kid Bloom’s ‘Shaky Knees’ Is the Soundtrack to a Never-Ending Summer by Eric Schuster
9.4 Music, Our Take, ReviewsOctober 4, 2023<October 4, 2023 Our Take: The National Go Back to the Well with the Soul-Stirring ‘Laugh Track,’ Their Second LP of 2023 by Beau Hayhoe
7.7 Music, Our Take, ReviewsOctober 4, 2023<October 3, 2023 Our Take: A New-Look Doja Cat Smothers All Her Demons on ‘Scarlet’ by Josh Weiner
Music, Podcast, Tunes & TumblersOctober 3, 2023<October 3, 2023 Podcast: Tunes & Tumblers’ September Roundtable ft. AI Boyfriends, NFL Fails, & Olivia Rodrigo’s ‘GUTS’ (feat. Madeline Maye) by Atwood Magazine Staff
Features, Interviews, MusicOctober 3, 2023<October 11, 2023 ‘BOOTCUT,’ Uncut: Bahamas’ Afie Jurvanen Talks Country Music, Hip-Hop, Ralph Lauren, & Human Connection by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackOctober 3, 2023<October 3, 2023 Lost in a Rush of Emptiness: Inside Bleach Lab’s Breathtaking, Soul-Stirring, & Shiver-Inducing Debut Album by Mitch Mosk
Artist to Watch, Columns, Debut, Music, Today's SongOctober 3, 2023<October 3, 2023 Artist to Watch: Willow Avalon’s Debut Single “Drivin” Is a Timeless Classic of Bruised Hearts and Highways by Mitch Mosk
Debut, Features, Interviews, MusicOctober 3, 2023<October 3, 2023 “I’m playing Jimi Hendrix’s guitar, I can’t screw this up!”: Nashville’s Bluphoria Are Written in the Stars by Minna Abdel-Gawad
Debut, Features, Interviews, Music, Track-by-TrackOctober 2, 2023<October 2, 2023 “Fun, Sexy, & Loud”: The Sweet Seduction of HONEYMOAN’s Debut Album, ‘Sorry Like You Mean It’ by Mitch Mosk
For the Love of Music
For the Love of Music
